
The paper explores the artistic and stylistic specificity of poetry of Khussen Khamkhokov, one of the brightest representatives of poets Effendi. Folklorisms and the objective world of his poetry point to interlacing folk and literary traditions. The conclusion is drawn that Khussen Khamkhokov’s poetry should be considered in the context of oral literature, a special type of artistic creation, formed in nations with new literature in Russia in the late 19th early 20th century.
Исследуется художественно-стилевая специфика поэзии Хусена Хамхокова одного из ярких представителей плеяды поэтов-эфенди. Устанавливается, что фольклоризмы и предметный мир стихов свидетельствуют о переплетении фольклорной и литературной традиций. Делается вывод о том, что поэзию Хусена Хамхокова следует рассматривать в контексте устной литературы особого типа художественного творчества, сформировавшегося у новописьменных народов России в конце ХIХ начале ХХ века.
ПОЭТЫ-ЭФЕНДИ, ФОЛЬКЛОРИЗМЫ, ХУДОЖЕСТВЕННЫЙ ПРЕДМЕТНЫЙ МИР, УСТНАЯ ЛИТЕРАТУРА, МЕТАФОРИЧЕСКИЙ ЭПИТЕТ
ПОЭТЫ-ЭФЕНДИ, ФОЛЬКЛОРИЗМЫ, ХУДОЖЕСТВЕННЫЙ ПРЕДМЕТНЫЙ МИР, УСТНАЯ ЛИТЕРАТУРА, МЕТАФОРИЧЕСКИЙ ЭПИТЕТ
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