
В статье рассматривается художественное пространство романа О.Хаксли «Желтый Кром», организованное старинным поместьем, в котором или вокруг которого происходит основное действие. Поместье Кром в контексте основных сюжетных линий и смыслов романа рассматривается в статье как многомерная целостность и как своеобразный фон, на котором разворачивается смысловой полилог, определяющий сюжет романа, и как противопоставленное реальному миру идиллическое пространство, и как, напротив, уменьшенная и своеобразно трансформированная модель реального мира.
The article observes the artistic space of A. Huxley’s novel “Crome Yellow”, organized by the old estate, where (or close by) the action of the novel occurs. The estate Crome is treated in the article in the context of the main lines of the plot and the main senses of the novel as the complicated unity at the same time as the peculiar background of the polylogue of senses, organizing the plot of the novel, as the “idyllic space”, opposed to the real world, and, on the contrary, as the reduced and peculiarly transformed model of the real world.
МОДЕЛЬ МИРА,ПОЛИЛОГ,«ИДИЛЛИЧЕСКОЕ ПРОСТРАНСТВО»,ТРАНСФОРМАЦИЯ,«АВТОБИОГРАФИЧЕСКИЙ ГЕРОЙ»,THE MODEL OF THE WORLD,POLYLOGUE,“IDYLLIC SPACE”,TRANSFORMATION,“AUTOBIOGRAPHICAL HERO”
МОДЕЛЬ МИРА,ПОЛИЛОГ,«ИДИЛЛИЧЕСКОЕ ПРОСТРАНСТВО»,ТРАНСФОРМАЦИЯ,«АВТОБИОГРАФИЧЕСКИЙ ГЕРОЙ»,THE MODEL OF THE WORLD,POLYLOGUE,“IDYLLIC SPACE”,TRANSFORMATION,“AUTOBIOGRAPHICAL HERO”
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