
The article presents the analysis of the script dramaturgy of «Tomiris» opera by A.Serkebaev; gives the general genre characteristics, the specific character of the of the conflict and music style. These aspects are considered from the point of view of fraction of the traditional and the innovation approach.
В статье предлагается анализ сценарной драматургии оперы «Томирис» А. Серкебаева, дается общая характеристика жанра, специфики конфликта и музыкального стиля. Названные аспекты рассматриваются с позиций преломления традиционного и новаторского.
ЦЕНТРОСТРЕМИТЕЛЬНЫЙ ТИП КОНФЛИКТА, СКВОЗНОЙ ТИП ДРАМАТУРГИИ, СИМФОНИЗАЦИЯ, ИСТОРИЧЕСКАЯ ДРАМА, ЛИРИКО-ПСИХОЛОГИЧЕСКАЯ ДРАМА, ЭПИЧЕСКАЯ ДРАМА, СИМФОНИЗИРОВАННАЯ ДРАМА
ЦЕНТРОСТРЕМИТЕЛЬНЫЙ ТИП КОНФЛИКТА, СКВОЗНОЙ ТИП ДРАМАТУРГИИ, СИМФОНИЗАЦИЯ, ИСТОРИЧЕСКАЯ ДРАМА, ЛИРИКО-ПСИХОЛОГИЧЕСКАЯ ДРАМА, ЭПИЧЕСКАЯ ДРАМА, СИМФОНИЗИРОВАННАЯ ДРАМА
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