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К вопросу о жанровой специфике оперы «Томирис» А. Серкебаева: традиции и новаторство

К вопросу о жанровой специфике оперы «Томирис» А. Серкебаева: традиции и новаторство

Abstract

The article presents the analysis of the script dramaturgy of «Tomiris» opera by A.Serkebaev; gives the general genre characteristics, the specific character of the of the conflict and music style. These aspects are considered from the point of view of fraction of the traditional and the innovation approach.

В статье предлагается анализ сценарной драматургии оперы «Томирис» А. Серкебаева, дается общая характеристика жанра, специфики конфликта и музыкального стиля. Названные аспекты рассматриваются с позиций преломления традиционного и новаторского.

Keywords

ЦЕНТРОСТРЕМИТЕЛЬНЫЙ ТИП КОНФЛИКТА, СКВОЗНОЙ ТИП ДРАМАТУРГИИ, СИМФОНИЗАЦИЯ, ИСТОРИЧЕСКАЯ ДРАМА, ЛИРИКО-ПСИХОЛОГИЧЕСКАЯ ДРАМА, ЭПИЧЕСКАЯ ДРАМА, СИМФОНИЗИРОВАННАЯ ДРАМА

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selected citations
These citations are derived from selected sources.
This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).
BIP!Citations provided by BIP!
popularity
This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network.
BIP!Popularity provided by BIP!
influence
This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).
BIP!Influence provided by BIP!
impulse
This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network.
BIP!Impulse provided by BIP!
0
Average
Average
Average
gold