
The images of the Tower and the Cathedral as the binary antinomical bases structuring the art world of acmeism are investigated in the article; the analysis of how Nikolay Gumilev and the acmeism school searched and found archetypical precedents to the present through intellectual analogies of the past is given.
В статье исследуются образы Башни и Собора как бинарные антиномические основания, структурирующие художественный мир акмеизма; дается анализ того, как Николай Гумилев и школа акмеизма через интеллектуальные аналогии прошлого искали и находили архетипические прецеденты настоящему.
БИНАРНЫЕ ОППОЗИЦИИ, ШКОЛА АКМЕИЗМА, МИФОЛОГЕМА БАШНИ, АРХЕТИП СОБОРА, БОГОБОРЧЕСТВО, СОБОРНОСТЬ
БИНАРНЫЕ ОППОЗИЦИИ, ШКОЛА АКМЕИЗМА, МИФОЛОГЕМА БАШНИ, АРХЕТИП СОБОРА, БОГОБОРЧЕСТВО, СОБОРНОСТЬ
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