
The article deals with the early story «Das Grauen» (1912) by Austrian expressionist, activist, journalist and publisher Robert Muller (1887-1924). The paper presents a model of insanity simulation in the story as a source of “incomprehensibility” of a modernist text.
Анализируется ранний рассказ австрийского экспрессиониста, активиста, журналиста и издателя Роберта Мюллера (1887-1924) «Das Grauen» (1912) с точки зрения моделирования безумия в текстуре рассказа как источника «непонятности» модернистского текста.
МОДЕРНИЗМ, АВАНГАРД, НЕПОНЯТНОСТЬ, РОБЕРТ МЮЛЛЕР (1887-1924), ЭКСПРЕССИОНИСТСКАЯ ПРОЗА, СТРУКТУРА ТЕКСТА, БЕЗУМИЕ, МОДЕЛИРОВАНИЕ, ROBERT MULLER (1887-1924)
МОДЕРНИЗМ, АВАНГАРД, НЕПОНЯТНОСТЬ, РОБЕРТ МЮЛЛЕР (1887-1924), ЭКСПРЕССИОНИСТСКАЯ ПРОЗА, СТРУКТУРА ТЕКСТА, БЕЗУМИЕ, МОДЕЛИРОВАНИЕ, ROBERT MULLER (1887-1924)
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