
Life and work of М.М.Prishvin and I. A. Bunin have repeatedly been the subject of typological comparison. Appeal to art-autobiographical discourse and the phenomenon of the estate is dictated by the generality of the small native land of writers and active display of the native land in works of art. Taking into account the difference of artistic approaches to the poetics of place, we note a number of antinomies and the number of coincidences in the transmission of the image with the help of which Mikhail Prishvin and Ivan Bunin describe the native place.
Жизнь и творчество М.М.Пришвина и И.А. Бунина неоднократно становились предметом типологического сравнения. Обращение к автобиографическому дискурсу и феномену усадьбы продиктовано общностью малой родины писателей и активным отображением родного края в художественных произведениях. Учитывая различие художественных подходов к поэтике места, мы отмечаем ряд антиномий и ряд совпадений в передаче образа родного гнезда Михаилом Пришвиным и Иваном Буниным.
ХУДОЖЕСТВЕННО-АВТОБИОГРАФИЧЕСКИЙ ДИСКУРС, ПОЭТИКА МЕСТА, ФЕНОМЕН УСАДЬБЫ, УСАДЕБНЫЙ ХРОНОТОП
ХУДОЖЕСТВЕННО-АВТОБИОГРАФИЧЕСКИЙ ДИСКУРС, ПОЭТИКА МЕСТА, ФЕНОМЕН УСАДЬБЫ, УСАДЕБНЫЙ ХРОНОТОП
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