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Малые хореографические формы: понятия и классификация

Authors: Alina S. Saratnik; SBEI of HE “Tambov State Musical-Pedagogical Institute named after S.V. Rachmaninoff”; Natalia A. Klimenko; SBEI of HE “Tambov State Musical-Pedagogical Institute named after S.V. Rachmaninoff”;

Малые хореографические формы: понятия и классификация

Abstract

В статье была рассмотрена проблема формирования малых хореографических форм в структуре балетного спектакля. Авторами были выявлены такие понятия как: «чистый», «действенный» и «танец-монолог», а также проанализированы построения таких малых форм, как вариация, «pas de deux», «pas de trois», «pas de quatre». Раскрыта история их создания и применения в структуре балетного спектакля.

Keywords

квартет, «чистый» танец, хореографические формы, балет, дуэт, вариация, хореографическая миниатюра, трио, малые хореографические формы, «действенный» танец

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selected citations
These citations are derived from selected sources.
This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).
BIP!Citations provided by BIP!
popularity
This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network.
BIP!Popularity provided by BIP!
influence
This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).
BIP!Influence provided by BIP!
impulse
This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network.
BIP!Impulse provided by BIP!
0
Average
Average
Average
Green