Extending and connecting scholarship on decolonial geopoetics, critical Mediterraneanism and maritime (wet and more-than-wet) ontologies, this paper discusses Genoese folksinger Fabrizio De André’s political, poetical, and geographical work on the Mediterranean Sea. De André has been considered as a pioneer of “World Music” for his linguistic and historical research on sounds and stories of the Mediterranean. Yet, a socially and politically committed intellectual, De André fostered agendas that went well beyond the role that this author played in the history of Italian and international folksong, and should interest scholars in geography, geopolitics and geopoetics. Exploring his original texts and recollections, I argue that De André’s works open ways to connect critical studies on the Mediterranean to broader scholarship on decoloniality and relational ontologies. This emerges especially through his commitment to challenge cultural and linguistic borders, listening to “histories from below” and denouncing the colonial violence of states and other oppressive powers in North-South Mediterranean relations. Furthermore, De André’s geopoetics fosters ideas of Mediterranean entanglements between land and sea that challenge statist territorialities, enhancing different geopoetic and geopolitical imaginations to address current matters on migration, racism and exclusion.