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Marble melancholy: using crossmodal correspondences of shapes, materials, and music to predict music-induced emotions

حزن الرخام: استخدام المراسلات متعددة الوسائط للأشكال والمواد والموسيقى للتنبؤ بالعواطف المستحثة بالموسيقى
Authors: Bruno Mesz; Bruno Mesz; Sebastián Tedesco; Felipe Reinoso-Carvalho; Enrique Ter Horst; German Molina; Laura H. Gunn; +3 Authors

Marble melancholy: using crossmodal correspondences of shapes, materials, and music to predict music-induced emotions

Abstract

IntroductionMusic is known to elicit strong emotions in listeners, and, if primed appropriately, can give rise to specific and observable crossmodal correspondences. This study aimed to assess two primary objectives: (1) identifying crossmodal correspondences emerging from music-induced emotions, and (2) examining the predictability of music-induced emotions based on the association of music with visual shapes and materials.MethodsTo achieve this, 176 participants were asked to associate visual shapes and materials with the emotion classes of the Geneva Music-Induced Affect Checklist scale (GEMIAC) elicited by a set of musical excerpts in an online experiment.ResultsOur findings reveal that music-induced emotions and their underlying core affect (i.e., valence and arousal) can be accurately predicted by the joint information of musical excerpt and features of visual shapes and materials associated with these music-induced emotions. Interestingly, valence and arousal induced by music have higher predictability than discrete GEMIAC emotions.DiscussionThese results demonstrate the relevance of crossmodal correspondences in studying music-induced emotions. The potential applications of these findings in the fields of sensory interactions design, multisensory experiences and art, as well as digital and sensory marketing are briefly discussed.

Country
Germany
Keywords

shapes, random forests, Music history, Social Psychology, Emotions, Color Psychology, Social Sciences, Organic chemistry, Experimental and Cognitive Psychology, Color Psychology and Product Design, Social psychology, Music psychology, Visual arts, music-induced emotions, materials, 780 Musik, Multisensory Integration in Human Perception and Cognition, Cognitive psychology, Olfactory Dysfunction in Health and Disease, crossmodal correspondences, Music and emotion, Psychology, ddc:780, Affect (linguistics), Valence (chemistry), Communication, Visual perception, Musicology, Pedagogy, Life Sciences, Music education, Sensory Expectations, Sensory Systems, BF1-990, FOS: Psychology, Chemistry, machine learning, sensory interactions, 150 Psychologie, ddc:150, Musical, Perception, Crossmodal, Arousal, Art, Neuroscience, Crossmodal Processing

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selected citations
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popularity
This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network.
BIP!Popularity provided by BIP!
influence
This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).
BIP!Influence provided by BIP!
impulse
This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network.
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