
El objeto de estudio del presente trabajo es la revista Andamios, creada en 1925 por la Asociación General de Profesores, como cuerpo de difusión de las primeras manifestaciones de la vanguardia chilena. La revista se estudiará mediante un análisis de su diagramación y de su discurso escrito y visual, lo que permitirá articular, desde distintas aristas, la propuesta ideológico-estética del grupo. Con ello se busca describir la principal contribución de Andamios al proceso de autonomización del campo literario y artístico chileno y asimismo dar cuenta del posicionamiento de las vanguardias en Chile en la década de los veinte.This essay focuses on the Andamios magazine, created in 1925 by the I Asociación General de Profesores, intended to disseminate the first expressions of the Chilean avant-garde. The magazine, as an object of study, will be studied through the analysis of its layout, as well as its writing and visual content. This will allow an articulation, from a variety of angles, of the group's ideological and aesthetical proposal. This essay will describe and contextualize the contribution of Andamios to the independent development of the Chilean's artistic and literary field. It will also give account of the positioning of the avant-garde in Chile in the twenties.
apropiación, revistas, cultural field, B1-5802, Aesthetics, campo cultural, Chilean avant-garde, BH1-301, Philosophy (General), appropriation, vanguardia chilena, magazines
apropiación, revistas, cultural field, B1-5802, Aesthetics, campo cultural, Chilean avant-garde, BH1-301, Philosophy (General), appropriation, vanguardia chilena, magazines
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