Based on the ideas of art historian Griselda Pollock regarding the definition and critique of hegemonic cultural discourses, this article explores the possibilities for revising the history of architecture in Chile between 1920 and 1980 from a gender perspective. By employing Pollock's framework for understanding selective historiographical traditions, the article constructs a broad and heterogeneous panorama of significant figures at a local scale. The discussion concludes with reflections concerning the theoretical challenges involved in constructing a history of women in architecture.