This article focuses on a heterochronic attraction between E. Wind’s critical work and Oswald de Andrade’s theory of anthropophagy as Aby Warburg’s deferred reception and survival in Latin America. Oswald de Andrade conducts a theory where duplicity, polarity and pathosformel, dear concepts to Warburg and Wind, acquire the shapes of totemism and transformation of taboo into totem. Wind, who understood that the history of images is not a natural history, but a methodological construction, openness to what remains invisible, lost or unknown, proceeding by oblivion and sense transformation, reencounters Oswald de Andrade in an anachronic arquiphilology and its series.