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University of Sunderland

University of Sunderland

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62 Projects, page 1 of 13
  • Funder: European Commission Project Code: 331294
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  • Funder: European Commission Project Code: 751622
    Overall Budget: 195,455 EURFunder Contribution: 195,455 EUR

    The possibilities of data-based maintenance management as well as interconnected, smart, and autonomous assets have been discussed lately but in practice there are still a number of major problems regarding e.g. the amount, quality, integration, and exploitation of maintenance data. In LeaD4Value these problems are addressed through lean maintenance data management to realise increased business value. Contrary to the Big Data hype, the idea here is to focus on the data decision support tools to be constructed based on analytical modelling and statistical analyses. Data will be collected from computerized maintenance management systems and enterprise resource planning systems of the two seconded companies, as well as from some of their employees via surveys and interviews. The results include e.g. a map of data exploitation paths, a process model, and a performance measurement system for lean maintenance data management. These tools can be used to reveal unnecessary maintenance tasks and data collection, missing data collection, or potential to increase the business value of maintenance. The role of world-class maintenance is highlighted in European manufacturing, because a majority of new production-related investments are directed to other continents. The proposed work is multidisciplinary by nature, combining aspects of business value management, reliability and maintenance engineering, and data sciences. The multidisciplinary view is needed, for asset management is challenged by maintenance engineers and managers understanding the technical aspects of maintenance but being unable to communicate these to the company decision makers in terms of business value. Too often this leads to short-sighted decisions. The project will expand the competences of the fellow in multiple disciplines, and provides international experience in science and business.

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  • Funder: UK Research and Innovation Project Code: 511282
    Funder Contribution: 91,606 GBP

    To develop an innovative Software as a Service platform that will enable patient self-management of health conditions through personalised medicines information. Branded as 'whatsmychoice', the platform will be licensable to health professionals, organisations and patients.

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  • Funder: UK Research and Innovation Project Code: 510901
    Funder Contribution: 88,691 GBP

    To develop a Multi-Criterion Decision Framework exploiting and deriving knowledge from data. To provide intelligent tools for construction project management facilitating optimised decision making in multi-actor contexts through knowledge and data rich insights into the DNA of complex projects.

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  • Funder: UK Research and Innovation Project Code: AH/J005908/1
    Funder Contribution: 43,109 GBP

    New media art is a dynamic set of artforms using computer technology, including internet art, interactive video installations, social networking media art, and software art. This art is starting to be collected by museums, galleries and private collectors, including Tate, Victoria and Albert Museum, San Francisco Museum of Modern Art, and National Taiwan Museum of Fine Art. Although there is much research published on the use of new media as a collections management, online documentation or museum education tool, there is very little published material to help arts workers and academics with collecting new media art itself. In particular, collecting new media art that is interactive or participative can offer useful case studies to inform the current interest in participation across contemporary art, because it fundamentally affects the role of the audience in relation to art. If art collections can be tagged or selected by users themselves, then this also changes the relationship between audiences and collections. The CRUMB resource aims to help curators, academics and arts workers with these new challenges, by sharing examples of projects, by curating exhibitions of new media art, and by publishing analytical writing on the different histories of new media art. CRUMB has an international network of specialists in the field, and has undertaken consultancy for the Arts Council of England, amongst others. In 2010, CRUMB was invited by the national organisation Contemporary Art Society to collaborate on the symposium 'Commissioning and Collecting Variable Media' which included speaker Benjamin Weil, formerly of SFMOMA. Also in 2010, Beryl Graham and Sarah Cook's authored book Rethinking Curating: Art after New Media contained elements on collections, and audience, but these need to be developed and expanded. Professor Beryl Graham's Fellowship therefore seeks to spend time developing research on collecting new media art, in relation to audience, and will have outcomes in the form of a book, and interviews and other material on the CRUMB web site.

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