This article examines how Jadid aesthetics and educational modernism are artistically transformed in Abdulla Qadiri’s major works. Using historical-literary analysis, comparative typology, and close reading, it identifies narrative, stylistic, and characterological mechanisms through which reformist discourse becomes novelistic form. The novelty lies in explaining the integration of Jadid journalistic rhetoric, dramatic experience, and linguistic renewal into plot construction and narration, refining Qadiri’s place in early Uzbek prose modernity.