You have already added 0 works in your ORCID record related to the merged Research product.
You have already added 0 works in your ORCID record related to the merged Research product.
Halevi’s Religious Development
Halevi’s Religious Development
Abstract Halevi’s historical and cultural matrix was Islamic Spain (al-Andalus) in the taifa and Almoravid periods, home to a cosmopolitan Judeo-Arabic culture, Arabic-inspired Hebrew poetry, and a Neoplatonic outlook. Inspired partly by Islamic pietistic writing, Halevi turned away from the Neoplatonic heritage to embrace a new Jewish pietism of the kind seen in the writings of Bahya Ibn Paquda; Halevi’s career is described as a Jewish parallel to that of al-Ghazzālī, a distinguished Islamic scholar turned Sufi. Halevi’s poetry is quoted extensively to illustrate themes of a personal (as opposed to specifically Jewish) piety, such as service to God, asceticism (Arabic zuhd), trust in God (tawakkul), seeking God’s pleasure (riḍā), and repentance (tawba). The chapter concludes with a full study of four poems selected to illustrate these themes.
Microsoft Academic Graph classification: Sociology Religious studies Religious development
Microsoft Academic Graph classification: Sociology Religious studies Religious development
citations This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).0 popularity This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network.Average influence This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).Average impulse This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network.Average citations This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).0 popularity This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network.Average influence This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).Average impulse This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network.Average
Popularity provided by BIP!Abstract Halevi’s historical and cultural matrix was Islamic Spain (al-Andalus) in the taifa and Almoravid periods, home to a cosmopolitan Judeo-Arabic culture, Arabic-inspired Hebrew poetry, and a Neoplatonic outlook. Inspired partly by Islamic pietistic writing, Halevi turned away from the Neoplatonic heritage to embrace a new Jewish pietism of the kind seen in the writings of Bahya Ibn Paquda; Halevi’s career is described as a Jewish parallel to that of al-Ghazzālī, a distinguished Islamic scholar turned Sufi. Halevi’s poetry is quoted extensively to illustrate themes of a personal (as opposed to specifically Jewish) piety, such as service to God, asceticism (Arabic zuhd), trust in God (tawakkul), seeking God’s pleasure (riḍā), and repentance (tawba). The chapter concludes with a full study of four poems selected to illustrate these themes.