publication . Conference object . Other literature type . 2010

Mapping Out Instruments, Affordances, and Mobiles

Atau Tanaka;
Open Access English
  • Published: 01 Jun 2010
  • Publisher: NIME
  • Country: United Kingdom
Abstract
This paper reviews and extends questions of the scope of an interactive musical instrument and mapping strategies for expressive performance. We apply notions of embodiment and affordance to characterize gestural instruments. We note that the democratization of sensor technology in consumer devices has extended the cultural contexts for interaction. We revisit questions of mapping drawing upon the theory of affordances to consider mapping and instrument together.\ud \ud This is applied to recent work by the author and his collaborators in the development of instruments based on mobile devices designed for specific performance situations.
Related Organizations
Download fromView all 5 versions
Zenodo
Other literature type . 2010
Provider: Datacite
Zenodo
Other literature type . 2010
Provider: Datacite
ZENODO
Conference object . 2010
Provider: ZENODO
37 references, page 1 of 3

[7] Camurri, A., Mazzarino, B., Volpe, G. “Analysis of Expressive Gesture: The EyesWeb Expressive Gesture Processing Library.” In Camurri, A., Volpe, G. (Eds.), Gesture-based Communication in Human-Computer Interaction, LNAI 2915, 460-467, Springer Verlag, 2004. [OpenAIRE]

[8] Chung, K., Ishii, H., “Fusing computation into megaaffordance objects.” In CHI 2009 Workshop on Transitive Materials. 2009.

[9] Cook, A., Pullin, G. “Tactophonics: your favourite thing wants to sing.” In Proceedings of International Conference on New Interfaces for Musical Expression (NIME07, New York), 2007.

[10] DeNora, T. After Adorno: Rethinking Music Sociology. Cambridge University Press. 2003.

[11] Dillon, S. C. and Brown, A. R. “The educational affordances of generative media in arts education.” In Proceedings of International Technology, Education and Development Conference (INTED2010). Valencia, Spain. 2010.

[12] Dykstra-Erickson, E., Arnowitz, J. “Michel Waisvisz: The Man and the Hands.” In ACM Interactions 12, 5 (September + October 2005) 63 - 67. 2005.

[13] Essl, G. Wang, G. and Rohs. M. “Developments and Challenges turning Mobile Phones into Generic Music Perfor- mance Platforms.” In Proceedings of the Mobile Music Workshop (MMW-08), Vienna. 2008.

[14] Essl, G. “SpeedDial: Rapid and On-The-Fly Mapping of Mobile Phone Instruments.” In Proceedings of International Conference on New Interfaces for Musical Expression (NIME09, Pittsburgh), 2009. [OpenAIRE]

[15] Fishkin, K.P. “A taxonomy for and analysis of tangible interfaces.” In Personal and Ubiquitous Computing. 8, 5 (September 2004), 347-358. [OpenAIRE]

[16] Garnicnig, B. and Haider, G. “Craving, a Spatial Audio Narrative.” In Proceedings of the International Workshop on Mobile Music Technologies (MMW). Amsterdam. 2007.

[17] Gaver, W. “Technology Affordances” In Proceedings of the CHI'91 Conference. 79-84, 1991.

[18] Gibson, J. J. The Ecological Approach to Visual Perception. Houghton Mifflin, 1979.

[19] Godøy, R. “Geometry and Effort in Gestural Renderings of Musical Sound.” In Dias, M., Gibet, S., Wanderley, M., Bastos R. (Eds.) Gesture-Based Human-Computer Interaction and Simulation LNAI 5085. Springer. 2009.

[20] Gritten, A. and King, E. (Eds.) Music and Gesture. Ashgate Publishing, Surrey. 2006.

[21] Gurevich, M. “JamSpace: a networked real-time collaborative music environment.” In CHI '06 extended abstracts on Human factors in computing systems. 2006.

37 references, page 1 of 3
Any information missing or wrong?Report an Issue