The word “zadokeli” in Ewe, means “eclipse of the sun”. During the global pandemic in 2020, 6 eclipses occurred within the year including 4 lunar eclipses across the world, with one total and one annular solar eclipse in addition. The first eclipse of 2020 occurred between 10th and 11th January, foreshadowing a dark year ahead. In the Ewe worldview, an eclipse, whether solar or lunar, is of deep spiritual significance. Thus, in the event of an eclipse, traditional priests, priestesses and diviners seek answers and offer prayers. These holders of esoteric knowledge engage with the divinities to ‘restore’ normal cosmic order through propitiation rites. Adjei’s role here is as an artist drawing links between the 2020 eclipse and the rise in anti-Black violence and injustice, and positions him among the far-seeing priests and diviners who seek answers in an effort to ‘restore’ both cosmic and social order. Thus, through his new collection of paintings, Sela Adjei visually expands the discussion of analogizing the Black predicament with a recurring image of a gloomy eclipse; Zadokeli is the same theme that animates Mawuli Adzei’s new poetry anthology bearing the same title. The book was edited by G. Edzordzi Agbozo, Ph.D. (University of North Carolina Wilmington, USA) and Niklas Wolf, M.A. (University of Zurich). The contributing scholars include: Asana Greenstreet, M.A. (Royal College of Art), Matthew Francis Rarey, Ph.D. (Oberlin, Ohio, USA), Elikplim Akorli, M.Phil, Damawa L. Jallah, Alan Dunyo Avorgbedor, Ph.D. (McGill University’s Peter Guo-hua Fu School of Architecture), kwabena agyare yeboah (University of California, Santa Barbara), Kate Wand, MFA, Nii Kotei Nikoi, Ph.D. (College of Wooster, Ohio, U.S.A.), and Fidelia Ankomah, M.Phil (University of Cape Coast, Ghana).