
doi: 10.4000/cher.2915
handle: 20.500.13089/dug4
Dans ce travail, je me propose d’analyser l’écho de quelques voix philosophiques dans le théâtre de Juan Mayorga. Je commence par la voix la plus évidente, celle de Walter Benjamin, pour poursuivre par d’autres voix qui me permettent d’étudier la problématique de la violence et du mal dans certaines œuvres de l’auteur (Hannah Arendt, Paul Ricoeur, Hans Jonas, Emmanuel Levinas, Franz Kafka).
[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts, violencia, [SHS.LITT]Humanities and Social Sciences/Literature, Language and Literature, [SHS.PHIL]Humanities and Social Sciences/Philosophy, filosofía, théâtre, P, mal, teatro, Juan Mayorga, [SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts, [SHS.LITT] Humanities and Social Sciences/Literature, [SHS.PHIL] Humanities and Social Sciences/Philosophy, violence, philosophie
[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts, violencia, [SHS.LITT]Humanities and Social Sciences/Literature, Language and Literature, [SHS.PHIL]Humanities and Social Sciences/Philosophy, filosofía, théâtre, P, mal, teatro, Juan Mayorga, [SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts, [SHS.LITT] Humanities and Social Sciences/Literature, [SHS.PHIL] Humanities and Social Sciences/Philosophy, violence, philosophie
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