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image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
DBLP
Article . 2021
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Automatic Extraction of Petrographic Features from Pottery of Archaeological Interest

Authors: Giovanni Puglisi; Filippo Stanco; Germana Barone; Paolo Mazzoleni;

Automatic Extraction of Petrographic Features from Pottery of Archaeological Interest

Abstract

The microscopic description of ancient pottery is widely used for the fabric definition, classification and provenance assessment. In most cases, however, the description is qualitative. An improvement of the study of archaeological pottery needs a more objective approach with quantitative analysis. In classical scientific literature, the structural features and mineralogical composition of pottery are carried out on thin sections by means of transmitted polarized light microscope. The determination were obtained through observations with and without cross polarizator (nicols). The quantitative measurements are normally achieved with tedious and time consuming table with point counter. In this article the attention has been focused on the automatic identification of structural and textural components of the potteries through optical microscopy. Image analysis techniques have been then used to automatically classify the image components. Results confirm the effectiveness of the proposed approach: petrographic data collection becomes faster with respect to the traditional method providing also quantitative information useful for fabric recognition.

Country
Italy
Keywords

ceramiche; analisi di immagine; petrografia, Cultural heritage; Image alignment; Petrographic features; Pottery; Thin section analysis; Computer science applications; Computer vision and pattern recognition; Information systems; Computer graphics and computer-aided design; Conservation

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    This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).
    3
    popularity
    This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network.
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    influence
    This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).
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    impulse
    This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network.
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selected citations
These citations are derived from selected sources.
This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).
BIP!Citations provided by BIP!
popularity
This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network.
BIP!Popularity provided by BIP!
influence
This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).
BIP!Influence provided by BIP!
impulse
This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network.
BIP!Impulse provided by BIP!
3
Average
Average
Average
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