
doi: 10.1121/1.2097137
A silent piano is available for a performance through electronic tones, and a player can give a timbre different from that of an acoustic piano to the electronic tones; when the player specifies a timbre of another acoustic musical instrument having a compass narrower than the compass of the acoustic piano, the key levers outside of the compass are never depressed in the performance, and several musical performance styles such as mute, glissando, tremolo and so fourth are assigned to the idle key levers; while the player is fingering on the keyboard, the player depresses one of the idle key levers and, thereafter, the black and white key levers in the compass, then, the electronic tones are produced in the selected musical performance style; the idle key levers are not mixed in the compass so that the player is less liable to be mistakenly depress the idle key levers.
| selected citations These citations are derived from selected sources. This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically). | 0 | |
| popularity This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network. | Average | |
| influence This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically). | Average | |
| impulse This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network. | Average |
