Actions
shareshare link cite add Please grant OpenAIRE to access and update your ORCID works.This Research product is the result of merged Research products in OpenAIRE.
You have already added 0 works in your ORCID record related to the merged Research product.
See an issue? Give us feedback
Please grant OpenAIRE to access and update your ORCID works.
This Research product is the result of merged Research products in OpenAIRE.
You have already added 0 works in your ORCID record related to the merged Research product.
You have already added 0 works in your ORCID record related to the merged Research product.
Publication . Article . 2007
Some Indian Conceptions of Music
Mann (Maud Maccarthy), Maud;
Mann (Maud Maccarthy), Maud;
Open Access
doi: 10.1093/jrma/38.1.41
Published: 03 Jan 2007 Journal: Proceedings of the Musical Association, volume 38, pages 41-65 (issn: 0958-8442, eissn: 2632-7716,
Copyright policy )

Publisher: Cambridge University Press (CUP)
Abstract
Before starting on the subject of our study this afternoon, I want to tell you about the instrument upon which I am going to play. It is a South Indian vînâ, from Tanjore. The vînâ is the national instrument of India. It possesses extraordinary tonal beauty and variety of expression when properly manipulated. Not having been able to obtain the right kind of drone instrument, called tambura, on which to accompany myself to-day, I have tuned this vînâ like the tambura, doing away with three of its strings. The effect thus obtained is similar to tambura, but of course it spoils the vînâ quality of the instrument. I must also tell you that there should be a drummer, and a vînâ- or sârenghi-player, as well as the tambura, in order to obtain a good accompaniment for songs. In the absence of these to-day, it will be rather like listening to two parts of a quartet!
Subjects
Music
Music
See an issue? Give us feedback
Beta
SDGsFeedback
Download fromView all 3 sources
Do the share buttons not appear? Please make sure, any blocking addon is disabled, and then reload the page.