Omitting the various other passages in the Mahābhārata which might be cited to support our thesis, and viewing synthetically the results of our study so far, we find that, to use Hopkins's phrase, “the more important building operations” of the epic are of pronouncedly Persian character. In the excavations of Pāṭaliputra we find that the palaces of Chandragupta were of pronouncedly Persian character, as well. The Mahābhārata ascribes its buildings to supernatural agency. The Chinese pilgrims tell us that the Mauryan halls were built by genii. The general attributes, as well as the very name, of the agent, Asura Maya, are found to be directly reminiscent of Ahura Mazda. It was by Ahura Mazda's grace the Achæmenian monarchs reared the palaces of Persepolis, which served as models for the Mauryan king. The epic tells us Maya wrought his works by magic. Pāṭaliputra is “wrought by magic” in the Kathāsaritsāgara. Moreover, the description which the Asura Maya gives us of the palaces he built agrees most strikingly with the account of Chandragupta's palaces recorded by Megasthenes. Both are inferentially confirmed by the stratigraphical evidences in the soil, and by the general topography of the site, at Pāṭaliputra.