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Predstavljanje osnovnih pojmova digitalne humanistike u vezi s glazbom i muzikologijom, ili: Što je digitalna muzikologija?
Copyright policy )Predstavljanje osnovnih pojmova digitalne humanistike u vezi s glazbom i muzikologijom, ili: Što je digitalna muzikologija?
The field of digital humanities, a convergence of humanities and computer sciences, has recently become a growing focus of interest. The aim of this paper is to present basic concepts of digital humanities as they relate to music and musicology, as well as the term digital musicology, in order to encourage in Croatia a greater use of the new possibilities of research provided by this field. Based on A Companion to Digital Humanities (chapter Music by I. Fujinaga and S. Forscher Weiss), this overview includes the following subjects: notation software and optical music recognition (OMR); MIDI and MP3 as technical standards; databases; computer applications for music scholars; and music information retrieval (MIR) systems. For each subject, some basic sources and materials are offered and some (more or less) current activities and projects are presented, with special consideration of Croatian perspectives.
Cilj je ovoga članka predstaviti osnovne pojmove digitalne humanistike u vezi s glazbom i muzikologijom, kao i pojam digitalne muzikologije, kako bi se potaknulo korištenje novih istraživačkih mogućnosti koje ovo područje nudi. U pregled su uključena sljedeća područja: programi za pisanje nota, uključujući optičko prepoznavanje glazbenih zapisa; tehnički standardi MIDI i MP3; baze podataka; računalne aplikacije za istraživanje glazbe; te sustavi za pristupanje podacima o glazbi. Za svako područje ponuđeni su osnovni izvori i materijali te su predstavljene neke od aktualnih aktivnosti i projekata.
Library of Congress Subject Headings: lcsh:M1-5000 lcsh:Music
digital humanities; digital musicology; musicological research; databases, digitalna humanistika; digitalna muzikologija; muzikološko istraživanje; baze podataka
digital humanities; digital musicology; musicological research; databases, digitalna humanistika; digitalna muzikologija; muzikološko istraživanje; baze podataka
Library of Congress Subject Headings: lcsh:M1-5000 lcsh:Music
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sa digitalizacije, 2015. ht p://dfest.nsk.hr/2015/wp-content/themes/boilerplate/2015/prezentacije/Tomic_
Marijana.pdf (8. 11. 2017). 7 Proces digitalizacije sastoji se od više koraka: 1. odabir gradiva, 2. digitalizacija gradiva, 3. obra-
da i kontrola kvalitete, 4. zaštita, 5. pohrana i prijenos, 6. pregled i korištenje, 7. održavanje digitalnoga
gradiva. Prema: Hrvoje STANČIĆ: Digitalizacija, Zagreb: Zavod za informacijske studije, 2009, 11. 8 Vidi primjerice ICT (Information and Communications Technology) metode navedene na stranicama
search) itd. ht ps://digital.humanities.ox.ac.uk/people-projects (28. 11. 2017). 9 Vidi npr. Tim CRAWFORD - Lorna GIBSON (ur.): Modern Methods for Musicology. Prospects,
Proposals, and Realities, Farnham: Ashgate, 2009. Vidi također seriju Computing in Musicology koju obja-
publications/cm/vol/15/contents.html (25. 11. 2017). 10 ht p://hbl.lzmk.hr/ ; ht p://www.enciklopedija.hr/. Trenutni nedostatak HBL-a njegova je nedo-
vršenost, a u (bliskoj) budućnosti treba voditi računa o češćem i bržem ažuriranju podataka. 11 Jstor (Journal Storage) digitalna je biblioteka koja omogućuje pristup akademskim časopisima i
knjižnice osigurana nacionalna licenca za pristup (podatak za 2017), ht p://www.jstor.org/. 12 Hrčak je Portal hrvatskih znanstvenih časopisa, a uključuje časopise koji nude radove u otvore-
nom pristupu (open access), ht p://hrcak.srce.hr/. 16 Usp. Dragan LESIĆ - Bojan OBLUČAR: Optičko prepoznavanje glazbenog crtovlja, FER 2010/11,
citations This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).0 popularity This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network.Average influence This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).Average impulse This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network.Average citations This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).0 popularity This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network.Average influence This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).Average impulse This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network.Average
Citations provided by BIP!Popularity provided by BIP!The field of digital humanities, a convergence of humanities and computer sciences, has recently become a growing focus of interest. The aim of this paper is to present basic concepts of digital humanities as they relate to music and musicology, as well as the term digital musicology, in order to encourage in Croatia a greater use of the new possibilities of research provided by this field. Based on A Companion to Digital Humanities (chapter Music by I. Fujinaga and S. Forscher Weiss), this overview includes the following subjects: notation software and optical music recognition (OMR); MIDI and MP3 as technical standards; databases; computer applications for music scholars; and music information retrieval (MIR) systems. For each subject, some basic sources and materials are offered and some (more or less) current activities and projects are presented, with special consideration of Croatian perspectives.
Cilj je ovoga članka predstaviti osnovne pojmove digitalne humanistike u vezi s glazbom i muzikologijom, kao i pojam digitalne muzikologije, kako bi se potaknulo korištenje novih istraživačkih mogućnosti koje ovo područje nudi. U pregled su uključena sljedeća područja: programi za pisanje nota, uključujući optičko prepoznavanje glazbenih zapisa; tehnički standardi MIDI i MP3; baze podataka; računalne aplikacije za istraživanje glazbe; te sustavi za pristupanje podacima o glazbi. Za svako područje ponuđeni su osnovni izvori i materijali te su predstavljene neke od aktualnih aktivnosti i projekata.