
Timbre is considered in the article as an integral expressive-colouristic component of violin sounding. For the theoretical analysis of the phenomenon, the timbre field notion is introduced, and its structure is proposed.
В статье рассматривается тембр как целостный выразительно-колористический компонент скрипичного звучания. Для теоретического анализа феномена вводится понятие «тембровое поле», предлагается его структура.
СКРИПКА, TIMBRE, STRUCTURE, КОЛОРИСТИКА, СТРУКТУРА, VIOLIN PERFORMANCE, ТЕМБР, COLOURISTICS, СКРИПИЧНОЕ ИСПОЛНИТЕЛЬСТВО, VIOLIN
СКРИПКА, TIMBRE, STRUCTURE, КОЛОРИСТИКА, СТРУКТУРА, VIOLIN PERFORMANCE, ТЕМБР, COLOURISTICS, СКРИПИЧНОЕ ИСПОЛНИТЕЛЬСТВО, VIOLIN
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