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Les jardins « du climat de l’oranger » : Jean Claude Nicolas Forestier (1861-1930), traditions méditerranéennes et jardin à la française
Dans l’ouvrage Jardins : carnet de plans et de dessins (1920), le paysagiste J. C. N. Forestier forge la typologie des jardins « du climat de l’oranger » qui réunit des traditions hortésiennes de différents horizons historiques et géographiques (gréco-romaine, arabo-andalouse, maghrébine, italienne). Cet article se propose d’étudier la vision de la méditerranéité qui émane de cette typologie, puis de la mettre en perspective avec le modèle du jardin moderne élaboré par le paysagiste dès le début du siècle. Il s’agit de mettre en lumière la façon dont l’imaginaire de la Méditerranée inspire le renouvellement de l’art des jardins au passage du siècle.
- Purdue University West Lafayette United States
- Purdue University System United States
XXe siècle, Forestier, 20th century, Mediterranean, Architectural History and Criticism, Other History of Art, Architecture, and Archaeology, Landscape Architecture, nationalism, Jean Claude Nicolas Forestier, garden history, [SHS.ART] Humanities and Social Sciences/Art and art history, Arts and Humanities, XIXe siècle, [SHS.ARCHI] Humanities and Social Sciences/Architecture, space management, art des jardins, modernity, History of Art, Architecture, and Archaeology, garden design
XXe siècle, Forestier, 20th century, Mediterranean, Architectural History and Criticism, Other History of Art, Architecture, and Archaeology, Landscape Architecture, nationalism, Jean Claude Nicolas Forestier, garden history, [SHS.ART] Humanities and Social Sciences/Art and art history, Arts and Humanities, XIXe siècle, [SHS.ARCHI] Humanities and Social Sciences/Architecture, space management, art des jardins, modernity, History of Art, Architecture, and Archaeology, garden design
citations This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).0 popularity This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network.Average influence This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).Average impulse This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network.Average citations This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).0 popularity This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network.Average influence This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).Average impulse This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network.Average Powered byBIP!

Dans l’ouvrage Jardins : carnet de plans et de dessins (1920), le paysagiste J. C. N. Forestier forge la typologie des jardins « du climat de l’oranger » qui réunit des traditions hortésiennes de différents horizons historiques et géographiques (gréco-romaine, arabo-andalouse, maghrébine, italienne). Cet article se propose d’étudier la vision de la méditerranéité qui émane de cette typologie, puis de la mettre en perspective avec le modèle du jardin moderne élaboré par le paysagiste dès le début du siècle. Il s’agit de mettre en lumière la façon dont l’imaginaire de la Méditerranée inspire le renouvellement de l’art des jardins au passage du siècle.