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After the collapse of the Soviet Union, Ukrainian society faced a new reality. The new reality involved consolidation and transformation of collective identities. The reinvigoration of national identity led to a change in the emphasis on how the past was dealt with – many things which were regarded as negative by the Soviet regime became presented as positive in independent Ukraine. The war-time nationalist movement, represented by the Organization of Ukrainian Nationalists (OUN) and the Ukrainian Insurgent Army (UPA), became one of the re-configured themes of history. While most of the studies of memory of the OUN and UPA concentrated on the use of this history by nationalist parties, this study goes beyond the analysis and scrutinizes the meaning of this history in nation- and state-building in relation to memory work realized on the small-scale regional and local levels. Moreover, this book focuses not only on the “producers” of memory, but also on the “consumers” of memory, the area which is largely understudied in the field of memory studies. Drawing on studies about post-colonial subjectivities and theories of remediation developed in memory studies, this book explores the changes in memory culture of contemporary Ukraine and examines the role of memory in producing new meanings under the rapidly changing conditions after the collapse of the Soviet Union up to 2014. The book contributes to the studies of memory culture in post-Communist countries as well as to the studies of society in contemporary Ukraine.
minneskulturen, premediation, History, reception of history, reclamation, пам’ять, history-writing, state-building, commemoration, Historia, Друга світова війна, memory, post-Soviet, problematisk kunskap, пам’ятники, Ukrainian Insurgent Army, OUN, monuments, post-colonial, Клим Савур, Організація українських націоналістів, Ukraina, historical representations, reception av monument, nation-building, Taras Bul'ba-Borovet's, difficult knowledge, myth, Rivne, Second World War, Organization of Ukrainian Nationalists, Волинь, УПА, myt, Ukraine, minne, Hurby, Українська Повстанська Армія, narrative analysis, receptionshistoria, Klym Savur, remediation, Organisationen för ukrainska nationalister, nationalism, Euromaidan, комеморація, Ukrainska upprorsarmee, рецепція історії, Orange Revolution, Ukrainska upprorsarmén, комеморації, Volhynia, Тарас Бульба-Боровець, monument, Insurgent Army, пам'ять, міф, UPA, ОУН, Рівне, пам'ятник
minneskulturen, premediation, History, reception of history, reclamation, пам’ять, history-writing, state-building, commemoration, Historia, Друга світова війна, memory, post-Soviet, problematisk kunskap, пам’ятники, Ukrainian Insurgent Army, OUN, monuments, post-colonial, Клим Савур, Організація українських націоналістів, Ukraina, historical representations, reception av monument, nation-building, Taras Bul'ba-Borovet's, difficult knowledge, myth, Rivne, Second World War, Organization of Ukrainian Nationalists, Волинь, УПА, myt, Ukraine, minne, Hurby, Українська Повстанська Армія, narrative analysis, receptionshistoria, Klym Savur, remediation, Organisationen för ukrainska nationalister, nationalism, Euromaidan, комеморація, Ukrainska upprorsarmee, рецепція історії, Orange Revolution, Ukrainska upprorsarmén, комеморації, Volhynia, Тарас Бульба-Боровець, monument, Insurgent Army, пам'ять, міф, UPA, ОУН, Рівне, пам'ятник
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