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Oсобенности психологофизиологического восприятия цвета в обучении студентов ХГФ станковой живописи

Oсобенности психологофизиологического восприятия цвета в обучении студентов ХГФ станковой живописи

Abstract

The article concerns the specifics of psychological and physiological perception of a visible nature color qualities in the process of studying the easel painting basics. The author reviews the issues of the systemic approach to the forming the stable perception of coloration qualities in the interpretation of the most outstanding graphic art researchers.

В статье рассматриваются и анализируются особенности психолого-физиологического восприятия цветовых качеств видимой натуры в процессе изучения основ станковой живописи. Освещаются проблемы систематического подхода в формировании целенаправленного восприятия свойств колорита в понимании виднейших исследователей в области изобразительной деятельности.

Keywords

ВОСПРИЯТИЕ ЦВЕТА, ОБУЧЕНИЕ, СТАНКОВАЯ ЖИВОПИСЬ, ОСОБЕННОСТИ, ПСИХОЛОГО-ФИЗИОЛОГИЧЕСКОЕ ВОСПРИЯТИЕ, КОЛОРИТ, ЦВЕТОВАЯ АДАПТАЦИЯ, ТОН

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selected citations
These citations are derived from selected sources.
This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).
BIP!Citations provided by BIP!
popularity
This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network.
BIP!Popularity provided by BIP!
influence
This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).
BIP!Influence provided by BIP!
impulse
This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network.
BIP!Impulse provided by BIP!
0
Average
Average
Average
gold