
На материале произведений Э.Т.А. Гофмана, Новалиса, Саши Соколова и Виктора Пелевина сопоставляется неомифологическая картина мира и методы использования мифологического материала в романтизме и постмодернизме. Обнаруженные сходства позволяют доказать влияние романтической традиции на постмодернистскую эстетику.
Neomythological map of the world and approaches to mythological motives in romanticism and postmodernism are compared on the example of works by E.T.A. Hoffmann, Novalis, Sasha Sokolov and Viktor Pelevin. Detected similarities allow to prove the influence of romantic tradition on postmodernist aesthetics.
ТРАДИЦИЯ, КАРТИНА МИРА, ДИСКУРС, РОМАНТИЗМ, ПОСТМОДЕРНИЗМ, МОТИВНАЯ СТРУКТУРА, КУЛЬТУРНО-ИСТОРИЧЕСКАЯ ЭПОХА, ТИПОЛОГИЧЕСКОЕ СХОДСТВО
ТРАДИЦИЯ, КАРТИНА МИРА, ДИСКУРС, РОМАНТИЗМ, ПОСТМОДЕРНИЗМ, МОТИВНАЯ СТРУКТУРА, КУЛЬТУРНО-ИСТОРИЧЕСКАЯ ЭПОХА, ТИПОЛОГИЧЕСКОЕ СХОДСТВО
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