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NUVE : na senda da performance digital
Moura, João Martinho; Marcos, Adérito; Barros, Né; Branco, Pedro;
Moura, João Martinho; Marcos, Adérito; Barros, Né; Branco, Pedro;
NUVE : na senda da performance digital
ARTECH 2012, Faro, 7–9 de Novembro de 2012 O projeto aqui apresentado possui como objectivo explorar as possibilidades artísticas oferecidas por performances digitais em tempo real, na forma de dança, encarada como forma de expressão corporal privilegiada, na interação entre o performer e um artefacto digital, interação que se estabelece como o elemento condutor de toda a narrativa cénica. Para pesquisar as possibilidades referidas, conceptualizou-se, desenvolveu-se e implementou-se um artefacto digital, chamado NUVE, tendo como finalidade a criação de um espetáculo de dança onde um performer interagirá com o sistema, dando origem a uma performance digital fluida, alicerçada na temática do corpo analógico versus o corpo digital/ virtual, espetáculo este que será exibido em público.
Portugal
- Universidade Aberta Portugal
Performance digital, Dança, Expressão corporal, Artech 2012
Performance digital, Dança, Expressão corporal, Artech 2012
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[1] Moura, J. M., Sousa, J., Branco, P., Marcos, A. F.You Move You Interact: a full-body dance in-betweenreality and virtuality. Proc. ARTECH 2008, Porto, Portugal. Pages 49- 54.
[2] Marcos, Adérito; Branco, Pedro; Carvalho, João (2009) “The computer medium in digital art's creative process”, In James Braman & Giovanni Vincenti (Eds.), Handbook of Research on Computational Arts and Creative Informatics: IGI Publishing ISBN: 978-1-60566-352-4.
[3] Critchley, Simon. (2002. “Introduction.” In The Cambridge Companion to Levinas. Ed. Simon Critchley and Robert Bernasconi. Cambridge: Cambridge University Press. ISBN-10: 0521665655.
[4] Kozel, S. (2008). “Closer: Performance, Technologies, Phenomenology”. Cambridge: MIT Press. ISBN: 978-0262113106.
[5] Amin, Ash, and Nigel Thrift. (2002). Cities: Reimagining the Urban. Cambridge: Polity Press. ISBN: 9780745624136.
[6] Paul, Ch. (2005). Digital Art. London: Thames & Hudson Ltd.
[7] Gere, C. (2005). Art, Time and Technology: Histories of the Disappearing Body. Berg. ISBN: 978-1845201357.
[8] Kuspit, D. (2005). The Matrix of Sensations VI: Digital Artists and the New Creative Renaissance. http://www.artnet.com/magazineus/features/kuspit/ kuspit8-5-05.asp. visitada em: 07/03/2009.
[9] Ascott, R. (2003). Telematic Embrace: Visionary Theories of Art, Technology, and Consciousness. Edited and with essay by Edward A. Shanken. ISBN: 9780520222946.
[10] Vairinhos, M. (2002). Interactividade e Mediação. Porto: Mimesis. ISBN: 9789728744335.
citations This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).0 popularity This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network.Average influence This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).Average impulse This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network.Average views 140 downloads 130 citations This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).0 popularity This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network.Average influence This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).Average impulse This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network.Average - 140views130downloads
citations
Citations provided by BIP!
This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).
Citations provided by BIP!popularityPopularity provided by BIP!
This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network.
Popularity provided by BIP!influenceInfluence provided by BIP!
This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).
Influence provided by BIP!impulseImpulse provided by BIP!
This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network.
Impulse provided by BIP!viewsViews provided by UsageCounts
Views provided by UsageCountsdownloadsDownloads provided by UsageCounts
Downloads provided by UsageCounts 0
Average
Average
Average
140
130
- Universidade Aberta Portugal
ARTECH 2012, Faro, 7–9 de Novembro de 2012 O projeto aqui apresentado possui como objectivo explorar as possibilidades artísticas oferecidas por performances digitais em tempo real, na forma de dança, encarada como forma de expressão corporal privilegiada, na interação entre o performer e um artefacto digital, interação que se estabelece como o elemento condutor de toda a narrativa cénica. Para pesquisar as possibilidades referidas, conceptualizou-se, desenvolveu-se e implementou-se um artefacto digital, chamado NUVE, tendo como finalidade a criação de um espetáculo de dança onde um performer interagirá com o sistema, dando origem a uma performance digital fluida, alicerçada na temática do corpo analógico versus o corpo digital/ virtual, espetáculo este que será exibido em público.