23 references, page 1 of 3 [1] Moura, J. M., Sousa, J., Branco, P., Marcos, A. F.You Move You Interact: a full-body dance in-betweenreality and virtuality. Proc. ARTECH 2008, Porto, Portugal. Pages 49- 54.
[2] Marcos, Adérito; Branco, Pedro; Carvalho, João (2009) “The computer medium in digital art's creative process”, In James Braman & Giovanni Vincenti (Eds.), Handbook of Research on Computational Arts and Creative Informatics: IGI Publishing ISBN: 978-1-60566-352-4.
[3] Critchley, Simon. (2002. “Introduction.” In The Cambridge Companion to Levinas. Ed. Simon Critchley and Robert Bernasconi. Cambridge: Cambridge University Press. ISBN-10: 0521665655.
[4] Kozel, S. (2008). “Closer: Performance, Technologies, Phenomenology”. Cambridge: MIT Press. ISBN: 978-0262113106.
[5] Amin, Ash, and Nigel Thrift. (2002). Cities: Reimagining the Urban. Cambridge: Polity Press. ISBN: 9780745624136.
[6] Paul, Ch. (2005). Digital Art. London: Thames & Hudson Ltd.
[7] Gere, C. (2005). Art, Time and Technology: Histories of the Disappearing Body. Berg. ISBN: 978-1845201357.
[8] Kuspit, D. (2005). The Matrix of Sensations VI: Digital Artists and the New Creative Renaissance. http://www.artnet.com/magazineus/features/kuspit/ kuspit8-5-05.asp. visitada em: 07/03/2009.
[9] Ascott, R. (2003). Telematic Embrace: Visionary Theories of Art, Technology, and Consciousness. Edited and with essay by Edward A. Shanken. ISBN: 9780520222946.
[10] Vairinhos, M. (2002). Interactividade e Mediação. Porto: Mimesis. ISBN: 9789728744335.