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Abstract The Tricontinental Conference in 1966 in Havana, Cuba, marked a moment of particular import for the development of an internationalism grounded in anti-imperialist and decolonial solidarity. Tricontinental took place at the height of crisis for many nations fighting for independence. The Organization of Solidarity of the People of Africa, Asia, and Latin America (OSPAAAL) sought to promote an internationalist political perspective that interrelated global revolutionary movements through their collective opposition to imperial and colonial governance and resource extraction. This essay focuses on two affective aesthetic tactics: the mobilization of images of women represented as actors in armed struggle, as well as more commonly gendered representations of motherhood. It examines imagery and writing that centers gender and focuses on the intersection of violence against women, aspects of capitalism, imperialism, interpersonal relationships, family and women’s reproductive rights, and culture. Ultimately, it demonstrates that OSPAAAL used artistic production as a tool of political dialogue.
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citations This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically). | 2 | |
popularity This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network. | Average | |
influence This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically). | Average | |
impulse This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network. | Average |