The article analyses Anna Akhmatova’s final versions of poetical and prosaic books, that were never embodied in the form of artistic whole. One of the reasons for this phenomenon was the problem in Soviet political sphere. Genuine Akmatova’s verses weren’t published during her life, so the poet was recording it in plans. Another reason of emergence of plans variety is connected with Akmatova’s artistic consciousness. A nature of plans’ variation suggests elements of the poetics of incompleteness. There are changed names, structures and plots of final books that resemble text elements in The Poem Without a Hero. This allows us to assume that these plans existed not only in the field of draft and Akhmatova’s creative laboratory.