publication . Article . 2009

Classical elements in the endowments of Serbian XIII century donors

Mirjana Gligorijevic-Maksimovic;
Open Access Bulgarian
  • Published: 01 Jan 2009 Journal: Zbornik Radova Vizantološkog Instituta (issn: 0584-9888, Copyright policy)
  • Publisher: Institute for Byzantine Studies of the Serbian Academy of Sciences and Arts
Abstract
In Byzantine painting, starting from the XIII and particularly during the XIV century, there was a visible return to models from the period of Antiquity. The influences of ancient, ostensibly, Hellenistic heritage were reflected in the shapes, in the content of the compositions, as well as in the drawing, modellation and colours. In the art that came into being in the course of the XIII century, in the endowments of the Serbian donors numerous elements emerged that had existed in ancient art. In the frescoes in the Church of the Mother of God in Studenica, the endowment of Stefan Nemanja and his sons, we see personifications, symbols, the introduction of details...
Subjects
free text keywords: History (General) and history of Europe, D, Narthex, Byzantine architecture, Endowment, Art, media_common.quotation_subject, media_common, Iconography, Ancient art, Fresco, Law, Painting, Mosaic
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publication . Article . 2009

Classical elements in the endowments of Serbian XIII century donors

Mirjana Gligorijevic-Maksimovic;