Beyoncé’s Slay Trick: The Performance of Black Camp and its Intersectional Politics

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Chatzipapatheodoridis Constantine;
(2017)

This article pays attention to African-American artist Beyonce Knowles and her performance of black camp. Beyonce’s stage persona and performances invite multiple ideological readings as to what pertains to her interpretation of gender, sexuality, and race. While cultur... View more
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