From History to Memory: Alain Resnais’ and Marguerite Duras’ Hiroshima mon amour

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Sarah French;
(2008)

This paper examines the representation of history and memory in Alain Resnais’ and Marguerite Duras’ 1959 film Hiroshima mon amour. It argues that the film’s privileging of subjective remembrance reflects a broader cultural interest in using memory as a counter discours... View more
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