Лирический субъект в современной русской поэзии: проблемы и перспективы изучения
Лирический субъект в современной русской поэзии: проблемы и перспективы изучения
The review deals with two books united by the common theme - investigation of the subject sphere of contemporary Russian poetry. The collective monograph and the special issue of the “Russian prise articles of Russian and foreign scholars - participants of the joint project of V. V. Vinogradov Russian Language Institute and the Institute of Linguistics of the Russian Academy of Sciences and Trier University (Germany).The authors analyze the theoretical approaches to studying subject structures of the lyric text represented in the papers of H. Stahle and W. Weststeijn and explore the research algorithms of the “split subject” and the description of the methods of “dispersing and reassembling” the lyric subject and the features of its deictic representation.
В статье представлены рецензии на два издания, в которых исследуется субъектная сфера современной русской поэзии.
- Russian State Vocational Pedagogical University Russian Federation
- Ural State Pedagogical University Russian Federation
SUBJECTIFICATION THROUGH OBJECTIFICATION IN THE POETIC TEXT, ЛИРИЧЕСКИЕ ГЕРОИ, РУССКИЕ ПОЭТЫ, RUSSIAN POETRY, GENRIKH SAPGIR IN THE 1990'S: COMING BACK TO THE SUBJECT, ЛИРИЧЕСКИЕ СУБЪЕКТЫ, PRIGOV AND DRAGOMOSHCHENKO: SLIDING SUBJECT AND SELF-CONSTRUCTING SUBJECT, РЕЦЕНЗИИ, COMING BACK TO THE SUBJECT [GENRIKH SAPGIR IN THE 1990'S], ЛИРИЧЕСКИЕ ЖАНРЫ, LYRIC CHARACTER, SACHNO I., ЛИТЕРАТУРОВЕДЕНИЕ, SUBJECTIVITY AND TRANSGRESSIVE EXPERIENCE IN RUSSIAN POETRY, 2000-2010, ЛИТЕРАТУРОВЕДЧЕСКИЕ ИССЛЕДОВАНИЯ, СУБЪЕКТ В НОВЕЙШЕЙ РУССКОЯЗЫЧНОЙ ПОЭЗИИ - ТЕОРИЯ И ПРАКТИКА, DRAMATIZATION AS A TECHNIQUE FOR THE CREATION OF MULTIPLE SUBJECTS IN CONTEMPORARY RUSSIAN POETRY, LYRIC SUBJECT, ORLITSKII I., РУССКАЯ ЛИТЕРАТУРА XX В., СУБЪЕКТНАЯ СФЕРА, BOCHAVER S., FESHCHENKO V., NEW ISSUES WITH THE OLD "WE", CINE-EYE 2.0: CINE-SUBJECTIVITY IN CONTEMPORARY RUSSIAN POETRY, ULANOV A., SLIDING SUBJECT AND SELF-CONSTRUCTING SUBJECT [PRIGOV AND DRAGOMOSHCHENKO], ПОЭТИЧЕСКОЕ ТВОРЧЕСТВО, ПОЭТИЧЕСКИЕ ТЕКСТЫ, KORCHAGIN K., LANGUAGE, TEXT, TYPOGRAPHY [AVANT-GARDE STUDIUM], ZHITENEV A., RUSSIAN LITERATURE (ЖУРНАЛ), РУССКАЯ ПОЭЗИЯ, ПОЭТИЧЕСКИЕ ЖАНРЫ, AVANT-GARDE STUDIUM: LANGUAGE, TEXT, TYPOGRAPHY, CINE-SUBJECTIVITY IN CONTEMPORARY RUSSIAN POETRY [CINE-EYE 2.0], AZAROVA N.
SUBJECTIFICATION THROUGH OBJECTIFICATION IN THE POETIC TEXT, ЛИРИЧЕСКИЕ ГЕРОИ, РУССКИЕ ПОЭТЫ, RUSSIAN POETRY, GENRIKH SAPGIR IN THE 1990'S: COMING BACK TO THE SUBJECT, ЛИРИЧЕСКИЕ СУБЪЕКТЫ, PRIGOV AND DRAGOMOSHCHENKO: SLIDING SUBJECT AND SELF-CONSTRUCTING SUBJECT, РЕЦЕНЗИИ, COMING BACK TO THE SUBJECT [GENRIKH SAPGIR IN THE 1990'S], ЛИРИЧЕСКИЕ ЖАНРЫ, LYRIC CHARACTER, SACHNO I., ЛИТЕРАТУРОВЕДЕНИЕ, SUBJECTIVITY AND TRANSGRESSIVE EXPERIENCE IN RUSSIAN POETRY, 2000-2010, ЛИТЕРАТУРОВЕДЧЕСКИЕ ИССЛЕДОВАНИЯ, СУБЪЕКТ В НОВЕЙШЕЙ РУССКОЯЗЫЧНОЙ ПОЭЗИИ - ТЕОРИЯ И ПРАКТИКА, DRAMATIZATION AS A TECHNIQUE FOR THE CREATION OF MULTIPLE SUBJECTS IN CONTEMPORARY RUSSIAN POETRY, LYRIC SUBJECT, ORLITSKII I., РУССКАЯ ЛИТЕРАТУРА XX В., СУБЪЕКТНАЯ СФЕРА, BOCHAVER S., FESHCHENKO V., NEW ISSUES WITH THE OLD "WE", CINE-EYE 2.0: CINE-SUBJECTIVITY IN CONTEMPORARY RUSSIAN POETRY, ULANOV A., SLIDING SUBJECT AND SELF-CONSTRUCTING SUBJECT [PRIGOV AND DRAGOMOSHCHENKO], ПОЭТИЧЕСКОЕ ТВОРЧЕСТВО, ПОЭТИЧЕСКИЕ ТЕКСТЫ, KORCHAGIN K., LANGUAGE, TEXT, TYPOGRAPHY [AVANT-GARDE STUDIUM], ZHITENEV A., RUSSIAN LITERATURE (ЖУРНАЛ), РУССКАЯ ПОЭЗИЯ, ПОЭТИЧЕСКИЕ ЖАНРЫ, AVANT-GARDE STUDIUM: LANGUAGE, TEXT, TYPOGRAPHY, CINE-SUBJECTIVITY IN CONTEMPORARY RUSSIAN POETRY [CINE-EYE 2.0], AZAROVA N.
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