www.tagg.org/articles/opelet.html. Interestingly when Tagg re-edited the piece in 1989 for
the journal Popular Music, 8.3, 285-98, this section was omitted. 2. Douglas Sirk's 1959 remake of Imitation of life concludes with an impassioned ending
Johnson's (Juanita Moore) riposte to her white counterpart Laura Meredith (Lana Turner). 3. M. Ellison, (2005), 'Resonating screens: echoes of Africa in Charles Burnett's To Sleep
With Anger and Kasi Lemmon', Eve's Bayou, African American Review, 39(1-2), 223. 4. Eve's Bayou (Kasi Lemmons: 1997). 5. Henry Louis Gates Jr, Th e Signifying Monkey: A Th eory of African American Literary
Criticism. New York: Oxford University Press, 1988. 6. Lawrence Starr, 'Towards a reevaluation of Gershwin's Porgy and Bess', American
Music, 2.2 (1984), 31. 7. Harold Cruse, ' “Hollywood Has Taken on a New Color”: Th e Yiddish Blackface of
Popular Music. Durham: Duke University Press, 2001, p. 348.