Variations on a theme : the role of music in Toni Morrison´s Jazz

Master thesis English OPEN
Berre, Tone;
(2008)
  • Publisher: University of Tromsø
  • Subject: VDP::Humaniora: 000::Litteraturvitenskapelige fag: 040::Engelsk litteratur: 043 | Call-and-Response | Jazz | Repetition | Improvisation | African American music | Blues | Folklore | Identity | ENG-3992 | Work songs | African American Culture | Contemporary African American women´s writing | Toni Morrison

African American music and contemporary African American literature are connected both thematically and structurally. This thesis examines the various ways in which Toni Morrison draws on the cultural traditions of her ancestors, especially blues and jazz music, in crea... View more
  • References (6)

    Theory and Method: Music as an Analytical Category....................................5

    Roach, Max. “Jazz (1962).” African American Literary Criticism - 1773 to 2000. Ed. Hazel Arnett Ervin. New York: Twayne Publishers, 1999, 113-116.

    Scheiber, Andrew. “Jazz and the Future Blues: Toni Morrison's Urban Folk Zone.” Modern Fiction Studies, West Lafayette, 2006. Literature Online. 5 December 2006. http://lion.chadwyck.co.uk/searchFulltext.do?id=R03847689&divLevel=0&queryld=.. /session/1226049338_670&trailld=11CDBBD75A7&area=abell&forward=critref_ft

    Shipton, Alyn. “Introduction - Rethinking Jazz History.” A New History of Jazz. London/New York: Continuum, 2001, 1 -12.

    Snead, James A. “Repetition as a Figure of Black Culture.” The Jazz Cadence of American Culture. Ed. Robert G. O'Meally. New York: Columbia University Press, 1998, 62-81.

    Sumara, K. The Novels of Toni Morrison - A Study in Race, Gender, and Class. London: Sangam Books Limited, 1998, 128-141.

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