La Bella y la Bestia en el cine laberíntico de Guillermo del Toro: El espinazo del diablo (2001) y El Laberinto del Fauno (2006)

Article Spanish; Castilian OPEN
Pastor, Brígida M.;
(2011)
  • Publisher: Consejo Superior de Investigaciones Científicas
  • Journal: Arbor: Ciencia, Pensamiento y Cultura (issn: 0210-1963, eissn: 1988-303X)
  • Publisher copyright policies & self-archiving
  • Related identifiers: doi: 10.3989/arbor.2011.748n2017
  • Subject: A | gender | Guillermo del Toro; The Devil’s Backbone; Pan’s Labyrinth; cinema; monstrosity; gender | Guillermo del Toro; El espinazo del diablo; El laberinto del fauno; cine; monstruos; género | El espinazo del diablo | El laberinto del fauno | Guillermo del Toro | monstrosity | cine | cinema | monstruos | género | General Works | The Devil’s Backbone | Pan’s Labyrinth

The films <i>The Devil’s Backbone</i> (2001) and <i>Pan’s Labyrinth</i> (2006) are both directed by Mexican Guillermo del Toro, and they are considered his Spanish films. Both films are set during the Spanish Civil War, but none of them explicitly deals with this tragic... View more
  • References (3)

    2 Enrevista de Mark Kermode en el NaHomer, Sean (2005): Jaques Lacan, London,

    3 “[T]he function of woman in forming Jump, John D. (ed.) (1972): The Grotesque,

    4 Entrevista para la revista electrónica Mulvey, Laura (1988): “Visual Pleasure Brashow, Peter (2006): “Reviews: Pans LaRowe, Katheleen (1995): The Unruly Woman: Cohen, Jeffrey Jerome (1996): “Monster Thornman, Susan (2000): Passionate DetaRecibido: 19 de octubre de 2008 Aceptado: 30 de marzo de 2009 Creed, Barbara (1993): Kristeva, FeminiPhilosophy in the Feminine, London; ty, Abjection, en Barbara Creed, The New York, Routledge. Wood, Jason (2007): “Excerpts taken from

  • Metrics
Share - Bookmark