‘Modular Spacetime in the “Intelligent” Blockbuster: Inception and Source Code’
Part of book or chapter of bookEnglishOPEN
Misek, Richard; Cameron, Allan;
Suggesting both linear progression and configurable modularity, the complex cinematic narratives of Inception (Christopher Nolan, 2010) and Source Code (Duncan Jones, 2011) produce distinctive articulations of time and space. They also thematize the architectural proces... View more
Beckman, Karen. 2010. Crash: Cinema and the Politics of Speed and Stasis. Durham NC: Duke University Press.
Urry, John. 2009. ÒSpeeding Up and Slowing Down.Ó In High-Speed Society: Social Acceleration, Power, and Modernity, ed. Hartmut Rosa and William E. Scheurman, 179-98. University Park, PA: The Pennsylvania State University Press.
Virilio, Paul. 1991. The Aesthetics of Disappearance, trans. Philip Beitchman. New York: Semiotext(e).
Yates, Frances A. 1966. The Art of Memory. Chicago: Chicago University Press.