publication . Thesis

Aesthetic negativity and choreographic practice

Bucar, M.;
Open Access English
  • Country: United Kingdom
At the core of this doctoral submission is a portfolio of three of my recent choreographic works(all created between 2011-2014), complemented by a text, which attempts to formulate a theoretical approach for explicating the works, through the lens of Theodor Adorno’s theory of the inherent negativity of modernist artworks. Such an approach places Adorno’s ideas at the very centre of the analytical view presented here, albeit via the semiotic (re)articulation of these same ideas in recent work by Christoph Menke. This, in turn, draws on earlier work done within aesthetic semiotics by Viktor Shklovsky, through which it is hoped that insight, clarification, and his...
free text keywords: M1, NX
Related Organizations
18 references, page 1 of 2

3. Room&Road - Remake (2014) This work was recreated and reconceived from an earlier version dating from 2005 in Ljubljana, and is an extended recreation which premiered at the Museum of Modern Art in Ljubljana, Slovenia, and subsequently at Trinity Laban's Laurie Grove Theatre in London, in September 2014.

ADORNO, T. (1978) On Object and Subject in Aesthetic Theory. In: A Arato, E Gephardt (eds.). Essential Frankfurt School Reader. New York: Continuum.

ADORNO, T. (1981a) Notes on Kafka in Adorno, Prisms . Translated by S. Weber & S. Weber. Cambridge,: MIT Press. pp. 243-71.

ADORNO, T. (1984a) Aesthetic Theory. Translated by C. Lenhardt. Boston: Routledge & Kegan Paul.

ADORNO, T. (1984b) Minima Moralia . London, New York: Verso.

ADORNO, T. (1997) Aesthetic Theory. In: Adorno, G. & Tiedemann, R. (eds.). Translated by R. Hullot-Kentor. Minneapolis: University of Minnesota Press.

ADORNO, T. ( 2004), Aesthetic Theory. In: Adorno, G. & Tiedemann, R. (eds.). Translated by R. Hullot-Kentor. London and New York: Continuum

ADORNO, T. (2005) Minima Moralia . Translated by E.F.N. Jephcott. London, New York: Verso.

AMRESH, S. & ADORNO, T. (2000) Mimesis in Aesthetic Theory in Practice. In: Briel, Holger & A. Kramer (eds.). In Practice: Critical Theory and Cultural Studies. Bern: Lang.

BANES, S. (1987) Terpsichore in Sneakers: Post-Modern Dance, Middletown: Wesleyan University Press.

BANES, S. (2003) Reinventing Dance. In: S. Banes (ed.). Reinventing Dance in the 1960s - Everything Was Possible. Madison: The University of Wisconsin Press.

BARTHES, R. (1985) The Responsibility of Forms: Critical Essays on Music, Arts, and Representation. Translated by R. Howard. New York: Hill & Wang.

BOHRER, H.K. (2001) Instants of Diminishing Representations: The problem of temporal modalities. In: H. Freise (ed.). The Moment: Time and Rupture in Modern Thought. Liverpool: Liverpool University Press.

BOHME, G. (1993) Atmosphere as the Fundamental Concept of a New Aesthetics. In: Thesis Eleven. London: SAGE publications.

BOWIE, A. (2003) Aesthetics and Subjectivity: From Kant to Nietzsche. Manchester - New York: Manchester University Press.

18 references, page 1 of 2
Powered by OpenAIRE Research Graph
Any information missing or wrong?Report an Issue