The Living Documentary: from representing reality to co-creating reality \ud in digital interactive documentary

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Gaudenzi, Sandra;
  • Publisher: Goldsmiths, University of London
  • Subject: L610
    acm: ComputingMethodologies_DOCUMENTANDTEXTPROCESSING

This thesis concentrates on the emerging field of interactive documentaries. Digital interactive and networked media offer so many new possibilities to document reality that it is necessary to define what an interactive documentary is and whether there is any continuity... View more
  • References (7)

    Chapter 2 - The interactive documentary as a Living Documentary .................72 The interactive documentary as a relational entity...................................................73 Cybernetics: feed-back loops, autopoiesis and structural coupling .....................76 A relational entity that affords the construction of realities.....................................80 A new species: the Living Documentary .................................................................83 Autopoiesis and assemblage in the context of interactive documentary..............84 Applying assemblage theory to interactive artefacts ..........................................87 Summary ..................................................................................................................90

    Chapter 3 - The hypertext interactive documentary through the lenses of the

    Living Documentary ..................................................................................................93 Reactive and interactive hypertext documentaries...................................................94

    Chapter 4 - The experiential documentary through the lenses of the Living

    Documentary ............................................................................................................125 Rider Spoke - a case study of experiential mode ...................................................139 Rider Spoke as a dynamic, reactive, interactive and collaborative documentary144 Rider Spoke through the lenses of the Living Documentary .............................146 Rider Spoke's questionnaire...............................................................................147 1. What are the main components and dimensions of Rider Spoke? .................148 2. Rider Spoke's organization ............................................................................159 3. Do changes affect the identity of Rider Spoke and/or the identity of the systems that are related to it? .............................................................................162 4. What stabilises, destabilises, or ends Rider Spoke? .......................................167 Summary ................................................................................................................172

    Chapter 5 - The participative documentary through the lenses of the Living

    Documentary ............................................................................................................176 Participation as a high level of interaction .............................................................178 Participatory culture and interactive documentary ................................................180 From open source code to open source documentary ............................................182 From crowdsourcing Wikipedia entries to crowdsourcing video ..........................189 From Cinema Vérité to interactive documentaries for change ..............................200 Strategies of participation: the who, what and when .............................................209 Global Lives - a case study of participative mode.................................................214 Global Lives through the lenses of the Living Documentary ............................217

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