On style in electroacoustic music

Article English OPEN
Hugill, A;

This article argues for the habilitation of a concept of style in electroacoustic music. It surveys the reasons for the neglect of style, looking in particular at the modernist embedding of electroacoustic theory and the consequences of postmodern genre formations. It c... View more
  • References (52)
    52 references, page 1 of 6

    Bregman, A. S. 1999. Auditory Scene Analysis: The Perceptual Organization of Sound. Cambridge, MA: MIT Press.

    Camilleri, L. 1993. Electroacoustic Music: Analysis and Listening Processes. Sonus Contemporary Music Materials 1: 1-13.

    Casey, M., Veltkamp, R., Goto, M., Leman, M., Rhodes, C. and Slaney, M. 2008. Content-based Music Information Retrieval: Current Directions and Future Challenges. Proceedings of the IEEE 96(4): 668-96.

    Couprie, P. 2014. EAnalysis. http://logiciels.pierrecouprie.fr/?page_id=402 (accessed 19 October 2015).

    Cusick, S. G. 1997. Response to Round Table 3. In D. Greer (ed.) Musicology and Sister Discplines: Past, Present, Future. Oxford: Oxford University Press.

    Delalande, F. 1993. Analyser le style en musique électroacoustique; Approximation et pluralité en analyse comparative. Analyse musicale 32: 28-33.

    Delalande, F. 1998. Music Analysis and Reception Behaviours: Sommeil by Pierre Henry. Journal of New Music Research 27(1-2): 13-66.

    Downie, J. S., Ehmann, A. F., Bay, M. and Cameron Jones, M. 2010. The Music Information Retrieval Evaluation eXchange: Some Observations and Insights. Advances in Music Information Retrieval 274: 93-115 http://bit.ly/KpM5u5 (accessed 19 October 2015).

    Emmerson, S. 1982. Analysis and the Compositon of Electro-Acoustic Music. PhD thesis. City University, London.

    Emmerson, S. (ed.) 1986. The Language of Electroacoustic Music. Basingstoke: Macmillan.

  • Metrics
Share - Bookmark