publication . Thesis

Subjectivity, immediacy, and the digital : historical reassessment in contemporary American cinema

Gallimore, Adam;
Open Access English
  • Country: United Kingdom
This thesis investigates various forms of historical reassessment in contemporary American cinema (2005-2013), with a particular emphasis on the role that digital technologies play in re-framing, re-negotiating, and re-vivifying historical figures and events. The focus of this work concerns questions relating to cinema’s relationship with history, and how this has been achieved through changing narratives and film aesthetics. It uses critical analysis to propose that a new range of practices and tools have been utilised to address and challenge conventions of specific historical genres, such as the historical epic, the gangster film, and the biopic. The complex ...
free text keywords: PN1993
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