The effect of electronically mediated sound on group musical interaction: A case study of the practice and development of the Automatic Writing Circle

Doctoral thesis English OPEN
Gardner, Thomas
  • Subject: MT

The interaction between musicians has been one of the traditional strengths of music: it stretches to include an audience and ritual participants but has its origins in group activity, the interpersonal responses of one musician to another. This thesis examines the way that electronic media have transformed the interactions between musicians, particularly in the context of live performance. A central theme is the way in which mediatisation creates new splits within previously integrated musical situations and also merges differences usually defined by physical boundaries.\ud \ud The theories of Gregory Bateson on schizophrenia and Irving Goffman on Situationism are brought together to create a new understanding of the term "schizophonia". This rehabilitated concept is proposed as the key to a creative exploration of new situations and discontinuities which make up group performance in a mediatised environment.\ud \ud In practical terms the exploration of new musical situations is documented in the following projects: the material created for the group "Automatic Writing Circle" during its evolution over a period of six years (compositions, software, instruments), development of the Ouija Board and accompanying software, composition of the piece Lipsync and the earlier piece I slept by numbers for flute and live electronics.
  • References (18)
    18 references, page 1 of 2

    Bongers, B. (2007). Electronic Musical Instruments: Experiences of a New Luthier. Leonardo Music Journal, Vol. 17, 9-16. doi:10.1162/lmj.2007.17.9

    Bown, O., & Lexer, S. (2006). Continuous-time recurrent neural networks for generative and interactive musical performance. Applications of Evolutionary Computing, 652-663.

    Bryan-Kinns, N., Healey, P. G., & Leach, J. (2007). Exploring mutual engagement in creative collaborations. In Proceedings of the 6th ACM SIGCHI conference on Creativity & cognition (pp. 223-232).

    D├ęchelle, F., Borghesi, R., De Cecco, M., Maggi, E., Rovan, B., & Schnell, N. (1999). jMax: An Environment for Real-Time Musical Applications. Computer Music Journal, 23(3), 50-58.

    Delalande, F. (1998). Music analysis and reception behaviours: Sommeil by Pierre Henry. Journal of new music research, 27(1), 13-66.

    Derrida, J. (1994). Specters of Marx: The state of the debt, the work of mourning, and the new international. Routledge.

    Di Paolo, E. A. (2000). Behavioral Coordination, Structural Congruence and Entrainment. Adaptive Behavior, 8(1), 27-48.

    Dissanayake, E. (2000). Antecedents of the temporal arts in early mother-infant interaction. The origins of music, 389-410.

    Dissanayake, E. (2001). An Ethological View of Music and its Relevance to Music Therapy. Nordic Journal of Music Therapy, 10 (2), 159-175.

    Dunn, D., & van Peer, R. (1999). Music, Language and Environment. Leonardo Music Journal, 9, 63-67.

  • Metrics
    views in OpenAIRE
    views in local repository
    downloads in local repository

    The information is available from the following content providers:

    From Number Of Views Number Of Downloads
    City Research Online - IRUS-UK 0 25
Share - Bookmark