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¿Operación salvamento? La recuperación de la historia de la participación de las mujeres en la cultura literaria
Partzsch, Henriette;
Partzsch, Henriette;
¿Operación salvamento? La recuperación de la historia de la participación de las mujeres en la cultura literaria
‘Salvage’ evokes complex dynamics of loss, recovery and value, in such contexts\ud as waste management or shipwreck and maritime law. Similar dynamics, often\ud triggered by a collective or individual experience of a void or an absence, motivate\ud and inform much research into the history of women’s writing. The present article\ud explores, from the point of view of literary studies, the effects of understanding\ud research into the history of women’s writing as a salvage operation. This metaphor\ud bestows on the material studied the ambiguous status of remains. While\ud hindering the full integration of women’ s writing in more traditional accounts of\ud the literary past, the understanding of surviving material as remains can become\ud the starting point for constructing new, inclusive approaches to literary history.\ud This reframing of the problem is possible thanks to recent developments in the\ud Humanities, with an increasing interest in models and theories that allow us\ud to better understand complex and dynamic phenomena. In order to illustrate\ud the possibilities of this approach, the article draws on a brief analysis of nineteenth-century Spanish fashion magazines.
United Kingdom
- University of Glasgow United Kingdom
104111
1. School of Modern Languages and Cultures, University of Glasgowh;e<nriette.partzsch@glasgow.ac.uk>.
El trabajo se realizó en el marco del proyecto de investigacTióranvelling Texts 1790-1914: The Transnational Reception of Women's Writing at the Fringes of Europe, financiado por HERA Joint Research Programme < www.heranet.
info>, financiado por AHRC, AKA, BMBF a través de PT-DLR, DASTI, ETAG, FCT, FNR, FNRS, FWF, FWO,HAZU, IRC, LMT, MHEST, NWO, NCN,RANNÍS, RCN, VR, y La Comunidad Europea FP7 2007-2013, en el marco del programa de Ciencias Socio-Económicas y Humanidades.
16. Oxford English Dictionarys,. v. 'salvage': «payment of compensation to which those persons are entitled who have by their voluntary eofrts saved a ship or its cargo from impending peril or rescued it from actual loss».
17. LAkoFF, George& JohNSoN, M ark: Metáforas de la vida cotidiana. Madrid, Cátedra, 2001 (Metaphors we live by, 1980).
18. Dos ejemplos recientes y complementarios son el Congreso InternacioCnualltural Encounters through Reading and Writing: New Approaches to the History of Literary Culture (Glasgow Women´s Library, 9-11 junio 2016) y el VI Encuentro Anual de la Red de Hispanistas del Siglo XIX (Senate House, Londres, 9 y 10 abril 2016). Mientras que en el primero sólo se presentaron trabajos sobre escritoras, aunque el enfoque al tema del congreso desde la historia de las mujeres o los estudios de género se había presentado como una entre varias posibilidades en la convocatoria, en el segundo evento las mujeres casi habían desaparecido completamente de las ponencias, con la excepción de una contribución sobre el personaje de Ana Ozores, presentada por Jo Labanyi, y otra sobre biografías transnacionales de escritoras viajeras, a cargo de Pura Fernández.
19. Sobre la dialéctica entre la memoria y el olvido con respecto a los restos vEéSaPsoeSiTo, Elena: «Die vergessenen Reste: Theorie und Praxis des blinden Fleck»s, en BECkER, Andreas & REiThER, Saskia & SPiES, Christian (eds.): Reste. Umgang mit einem Randphänomen. Bielefeld, transcript, 2005, pp. 13-25.
20. DAMRoSCh, David: «World Literature in a Postcanonical, Hypercanonical Age», eSAnUSSY, Haun (ed.):Comparative Literature in an Age of Globalization. Baltimore, The Johns Hopkins University Press, 2006, pp. 43-53.
21. BiEdER, Maryellen: «Emilia Pardo Bazán and Literary Women: Women Reading Women's Writing in Late 19th-Century Spain», Revista Hispánica Moderna, 46.1 (1993), p. 23. El caso de Pardo Bazán, con la destrucción de muchos de sus documentos personales a manos de la familia Franco, es especialmente interesante al respecto. Véase FREiRE LóPEz, Ana María & ThioN SoRiANo-MollÁ , Dolores (eds.)C:artas de buena amistad: Epistolario de Emilia Pardo Bazán a Blanca de los Ríos (1893-1919). Madrid, Iberoamericana, 2016.
22. VElASCo, Ana María: Moda y prensa femenina en España (siglo XIX). Madrid, Ediciones 19, 2016, p. 24.
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- University of Glasgow United Kingdom
‘Salvage’ evokes complex dynamics of loss, recovery and value, in such contexts\ud as waste management or shipwreck and maritime law. Similar dynamics, often\ud triggered by a collective or individual experience of a void or an absence, motivate\ud and inform much research into the history of women’s writing. The present article\ud explores, from the point of view of literary studies, the effects of understanding\ud research into the history of women’s writing as a salvage operation. This metaphor\ud bestows on the material studied the ambiguous status of remains. While\ud hindering the full integration of women’ s writing in more traditional accounts of\ud the literary past, the understanding of surviving material as remains can become\ud the starting point for constructing new, inclusive approaches to literary history.\ud This reframing of the problem is possible thanks to recent developments in the\ud Humanities, with an increasing interest in models and theories that allow us\ud to better understand complex and dynamic phenomena. In order to illustrate\ud the possibilities of this approach, the article draws on a brief analysis of nineteenth-century Spanish fashion magazines.
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