Foreword

Article English OPEN
Sundholm, John ; Stavning Thomsen, Bodil Marie ; Angkjær Jørgensen, Ulla (2012)
  • Publisher: Karlstad University, Sweden
  • Related identifiers: doi: 10.3402/jac.v4i0.18819
  • Subject: Studies on Film | Filmvetenskap | Gilles Deleuze | Signaletic | Media Aesthetics | Signal

Since the 1990s there has been intensified focus on the concepts of performativity, the relational, and affect in the humanities. Scholars from different fields have in a variety of ways embraced these notions in their accounts of contemporary culture, and as such they also form the backdrop of this thematic collection of articles entitled From Sign to Signal.(Published: 15 June 2012)Citation: Journal of Aesthetics & Culture, Vol. 4, 2012 http://dx.doi.org/10.3402/jac.v4i0.18819
  • References (8)

    Gilles Deleuze, Cinema 2. The Time-Image (Minneapolis, MN: University of Minnesota Press, 1989), 280. p. 29.

    4 (2012) http://dx.doi.org/10.3402/jac.v4i0.18148 Ibid.

    Merete Carlson and Ulrik Schmidt, 'Pulse on Pulse: Modulation and Signification in Rafael LozanoHemmer's Pulse Room', Journal of Aesthetics and Culture vol. 4 (2012) http://dx.doi.org/10.3402/jac.

    v4i0.18152 Andrew Murphie, 'Hacking the Aesthetic: David Haines and Joyce Hinterding's New Ecologies of Signal', Journal of Aesthetics and Culture vol. 4 (2012) http://dx.doi.org/10.3402/jac.v4i0.18153 Ulla A. Jørgensen, 'Bodies and Real-Time Interfaces: In Video Performance and Interactive Digital 3D Installation Art by VALIE EXPORT and Jette Gejl Kristensen', Journal of Aesthetics and Culture vol. 4 (2012) http://dx.doi.org/10.3402/jac.v4i0.18149 John Sundholm, 'A Cinema of Presence and Proximity: Gunvor Nelson's Collage Films and the Aesthetics of the Signaletic Material Before the Electronic Signal', Journal of Aesthetics and Culture vol. 4 (2012) http://dx.doi.org/10.3402/jac.v4i0.18150 Jesper Olsson, 'Connect and Immerse: A Poetry of Codes and Signals', Journal of Aesthetics and Culture vol. 4 (2012) http://dx.doi.org/10.3402/jac.

    v4i0.18614 Thomas B. Bjørnsten, 'Sound [signal] Noise: Significative Effects in Contemporary Sonic Art Practices', Journal of Aesthetics and Culture vol. 4 (2012) http://dx.doi.org/10.3402/jac.v4i0.18615 Mathias B. Korsgaard, 'Creation and Erasure: Music Video as a Signaletic Form of Practice', Journal of Aesthetics and Culture vol. 4 (2012) http:// dx.doi.org/10.3402/jac.v4i0.18151 Mette Sandbye, 'It has not been*it is. The signaletic transformation of photography', Journal of Aesthetics and Culture vol. 4 (2012) http://dx.doi.org/ 10.3402/jac.v4i0.18159 Carsten Stage, 'Screens of Intensification: On DIY Concert Videos of Lady Gaga and the Use of Media Interfaces as Tools of Experience Intensification', Journal of Aesthetics and Culture vol. 4 (2012) http:// dx.doi.org/10.3402/jac.v4i0.18161 Annette S. Jakobsen, 'Experience In-Between Architecture and Context: The New Acropolis Museum, Athens', Journal of Aesthetics and Culture vol. 4 (2012) http://dx.doi.org/10.3402/jac.v4i0.18158 Thomas Markussen, 'The Disruptive Aesthetics of Hijacking Urban Space', Journal of Aesthetics and Culture vol. 4 (2012) http://dx.doi.org/10.3402/jac.

    v4i0.18157 Jonas Fritsch, 'From Signal to Signification', Journal of Aesthetics and Culture vol. 4 (2012) http://dx.

    doi.org/10.3402/jac.v4i0.18155 16.

    Christoph Brunner, 'Immediation as Process and Practice of Signaletic Mattering', Journal of Aesthetics and Culture vol. 4 (2012) http://dx.doi.org/ 10.3402/jac.v4i0.18154

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