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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Juneja, Monica; Trede, Melanie; de Castro, Inès;

    Der Begriff Kulturerbe kann als Schöpfung der historischen Imagination moderner Nationen beschrieben werden. Ursprünglich eine Errungenschaft der europäischen Aufklärung ist er heute zum globalen Konzept geworden, wie auch seine institutionalisierten Einrichtungen der Denkmalpflege oder der Museen. Die Stilisierung historischer Überreste aus der Vergangenheit zu nationalen Erinnerungsorten, die zur Stiftung kollektiver Identitäten beitragen sollen, fand in dem von Pierre Nora geprägten Begriff „lieux de mémoire“ seine eindeutige Kanonisierung. Der Vortrag lenkt unsere Aufmerksamkeit auf die Brüchigkeit der auf allgemeinen Konsens ruhenden Erinnerungsfunktion von Kulturerbe. Arjun Appadurai bezeichnet den gängigen Begriff von Kulturerbe als „predatory“ („räuberisch“): Inwieweit gründen sich die durch ihn zelebrierten Formen der Erinnerung auf die Eliminierung anderer Formen? Wo erhalten wir Zugang zu den unterdrückten Formen der Erinnerung? Der Vortrag geht auf die Herausforderung der gegenwärtig konfliktträchtig gewordenen Beziehung zwischen Nation und Kultur für die an der wissenschaftlichen Erforschung und dem Erhalt von Kulturerbe beteiligten Fächer und Institutionen ein. Er fragt nach den analytischen Mitteln, die geeignet wären, um ein multiskaliertes, polyvalentes Verständnis von Kulturerbe zu entwickeln.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Heidelberger Dokumen...arrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Süld, Meelis;

    BeSt programmi toetusel loodud videoloeng kursusel "Religioosne fundamentalism"(USUS.02.080)

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ DSpace at Tartu Univ...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ DSpace at Tartu Univ...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    Işık Üniversitesi Rektörü Sıddık Yarman'ın Mesut Yar'ın sunduğu HBB kanalında yayınlanan "On da On" programına katıldığı videonun erişimidir.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Işık University Inst...arrow_drop_down
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    Authors: Zentrum Für Angewandte Kulturwissenschaft Und Studium Generale (ZAK);

    Wie denken Kunstschaffende über die Zukunft der Arbeit? Spannende Antworten gibt der Film „Lebt und arbeitet? Kunstschaffende denken in die Zukunft“, der bei der öffentlichen Konferenz „Arbeit von übermorgen – zwischen Science und Fiction“ Premiere feierte. Die Konferenz fand statt am 17. September 2021 im Rahmen des BMBF-geförderten Projekt FutureWork. "Lebt und arbeitet? Kunstschaffende denken in die Zukunft“ ist eine Produktion von Anett Holzheid, Andy Koch und Peter Müller, ZKM | Zentrum für Kunst und Medien Karlsruhe 2021.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ https://doi.org/10.5...arrow_drop_down
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    Authors: Santiváñez Santa Cruz, Esperanza;

    Programación temporal de obras: PERT y Gantt. Aplicación del programa MS Project 2007 de Microsoft. Vídeos de demostración para facilitar la utilización del programa.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Repositorio Instituc...arrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Moreno-Izquierdo, Luis; Martínez Mora, Carmen;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Repositorio Instituc...arrow_drop_down
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    Authors: Gabinete de Presidencia CSIC; Departamento de Comunicación CSIC;

    Datos técnicos: 100 minutos, color, español. Ficha técnica: Gabinete de Presidencia CSIC y Departamento de Comunicación No

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Recolector de Cienci...arrow_drop_down
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    Authors: Ana M. González Ramos;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Recolector de Cienci...arrow_drop_down
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    Habertürk kanalında yayınlanan haber programında Üniversitemiz bünyesindeki Optomekatronik Uygulama ve Araştırma Merkezi (OPAM), Doğu Anadolu Gözlemevi’nde kullanılmak üzere tasarlayıp ürettiği uzay ve gözlem sistemlerini tanıttığı videonun erişimi ve deşifresidir. Üniversitemiz bünyesindeki Optomekatronik Uygulama ve Araştırma Merkezi (OPAM), Doğu Anadolu Gözlemevi’nde kullanılmak üzere tasarlayıp ürettiği uzay ve gözlem sistemlerini tanıttı! Türkiye’nin 2023 vizyon projeleri arasında yer alan DAG Teleskopu için tamamen Türk mühendislerce tasarlanan sistemlerle milli teknolojik bağımsızlığa büyük katkı sunan OPAM, bu başarısıyla dünyada söz konusu sistemleri tasarlayıp üretebilen ilk 10 firma arasında yerini aldı. Açılış konuşmasını Rektörümüz Prof. Dr. Cemal İbiş yaparken, sistemi Dr. Öğretim Üyemiz Onur Keskin tanıttı.

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    Authors: Martín Ortega, Olga; Seminario 60 aniversario DUDH, Instituto Universitario de Derechos Humanos Universitat de València;

    Conferencia ''El negocio de la guerra: empresas multinacionales y Derechos humanos en conflicto'' Seminario 60 aniversario DUDH, Instituto Universitario de Derechos Humanos Universitat de València (Facultat de Dret UV, 30 octubre 2008)Duración: 30M

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21,598 Research products
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    Authors: Juneja, Monica; Trede, Melanie; de Castro, Inès;

    Der Begriff Kulturerbe kann als Schöpfung der historischen Imagination moderner Nationen beschrieben werden. Ursprünglich eine Errungenschaft der europäischen Aufklärung ist er heute zum globalen Konzept geworden, wie auch seine institutionalisierten Einrichtungen der Denkmalpflege oder der Museen. Die Stilisierung historischer Überreste aus der Vergangenheit zu nationalen Erinnerungsorten, die zur Stiftung kollektiver Identitäten beitragen sollen, fand in dem von Pierre Nora geprägten Begriff „lieux de mémoire“ seine eindeutige Kanonisierung. Der Vortrag lenkt unsere Aufmerksamkeit auf die Brüchigkeit der auf allgemeinen Konsens ruhenden Erinnerungsfunktion von Kulturerbe. Arjun Appadurai bezeichnet den gängigen Begriff von Kulturerbe als „predatory“ („räuberisch“): Inwieweit gründen sich die durch ihn zelebrierten Formen der Erinnerung auf die Eliminierung anderer Formen? Wo erhalten wir Zugang zu den unterdrückten Formen der Erinnerung? Der Vortrag geht auf die Herausforderung der gegenwärtig konfliktträchtig gewordenen Beziehung zwischen Nation und Kultur für die an der wissenschaftlichen Erforschung und dem Erhalt von Kulturerbe beteiligten Fächer und Institutionen ein. Er fragt nach den analytischen Mitteln, die geeignet wären, um ein multiskaliertes, polyvalentes Verständnis von Kulturerbe zu entwickeln.

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    Authors: Süld, Meelis;

    BeSt programmi toetusel loodud videoloeng kursusel "Religioosne fundamentalism"(USUS.02.080)

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    Işık Üniversitesi Rektörü Sıddık Yarman'ın Mesut Yar'ın sunduğu HBB kanalında yayınlanan "On da On" programına katıldığı videonun erişimidir.

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    Authors: Zentrum Für Angewandte Kulturwissenschaft Und Studium Generale (ZAK);

    Wie denken Kunstschaffende über die Zukunft der Arbeit? Spannende Antworten gibt der Film „Lebt und arbeitet? Kunstschaffende denken in die Zukunft“, der bei der öffentlichen Konferenz „Arbeit von übermorgen – zwischen Science und Fiction“ Premiere feierte. Die Konferenz fand statt am 17. September 2021 im Rahmen des BMBF-geförderten Projekt FutureWork. "Lebt und arbeitet? Kunstschaffende denken in die Zukunft“ ist eine Produktion von Anett Holzheid, Andy Koch und Peter Müller, ZKM | Zentrum für Kunst und Medien Karlsruhe 2021.

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    Authors: Santiváñez Santa Cruz, Esperanza;

    Programación temporal de obras: PERT y Gantt. Aplicación del programa MS Project 2007 de Microsoft. Vídeos de demostración para facilitar la utilización del programa.

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    Authors: Moreno-Izquierdo, Luis; Martínez Mora, Carmen;
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    Authors: Gabinete de Presidencia CSIC; Departamento de Comunicación CSIC;

    Datos técnicos: 100 minutos, color, español. Ficha técnica: Gabinete de Presidencia CSIC y Departamento de Comunicación No

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    Authors: Ana M. González Ramos;

    handle: