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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Pierre Drap; Odile Papini; Djamal Merad; Jérôme Pasquet; +9 Authors

    International audience; This chapter introduces several state of the art techniques that could help to make deep underwater archaeological photogrammetric surveys easier, faster, more accurate, and to provide more visually appealing representations in 2D and 3D for both experts and public. We detail how the 3D captured data is analysed and then represented using ontologies, and how this facilitates interdisciplinary interpretation and cooperation. Towards more automation, we present a new method that adopts a deep learning approach for the detection and the recognition of objects of interest, amphorae for example. In order to provide more readable, direct and clearer illustrations, we describe several techniques that generate different styles of sketches out of orthophotos developed using neural networks. In the same direction, we present the Non-Photorealistic Rendering (NPR) technique, which converts a 3D model into a more readable 2D representation that is more useful to communicate and simplifies the identification of objects of interest. Regarding public dissemination, we demonstrate how recent advances in virtual reality to provide an accurate, high resolution, amusing and appropriate visualization tool that offers the public the possibility to ‘visit’ an unreachable archaeological site. Finally, we conclude by introducing the plenoptic approach, a new promising technology that can change the future of the photogrammetry by making it easier and less time consuming and that allows a user to create a 3D model using only one camera shot. Here, we introduce the concepts, the developing process, and some results, which we obtained with underwater imaging.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ https://doi.org/10.1...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    https://doi.org/10.1007/978-3-...
    Part of book or chapter of book . 2019
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    https://link.springer.com/cont...
    Part of book or chapter of book
    License: cc-by
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    HAL AMU
    Part of book or chapter of book . 2019
    Data sources: HAL AMU
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ https://doi.org/10.1...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      https://doi.org/10.1007/978-3-...
      Part of book or chapter of book . 2019
      Data sources: Crossref
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      https://link.springer.com/cont...
      Part of book or chapter of book
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      HAL AMU
      Part of book or chapter of book . 2019
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Dan E. Webster; Sandrine Roulland; James D. Phelan;

    Genome-wide screens are a powerful technique to dissect the complex network of genes regulating diverse cellular phenotypes. The recent adaptation of the CRISPR-Cas9 system for genome engineering has revolutionized functional genomic screening. Here, we present protocols used to introduce Cas9 into human lymphoma cell lines, produce high-titer lentivirus of a genome-wide sgRNA library, transduce and culture cells during the screen, isolate genomic DNA, and prepare a custom library for next-generation sequencing. These protocols were tailored for loss-of-function CRISPR screens in human lymphoma cell lines but are highly amenable for other experimental purposes.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Methods in Molecular...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Methods in Molecular Biology
    Other literature type . Part of book or chapter of book . 2019
    HAL AMU
    Part of book or chapter of book . 2019
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Methods in Molecular...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Methods in Molecular Biology
      Other literature type . Part of book or chapter of book . 2019
      HAL AMU
      Part of book or chapter of book . 2019
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Trentini, Bruno;

    International audience; This article aims at conceptually marking out the different cognitive processes involved in the experience of mobile art devices, and at understanding to what extent the involvement of these cognitive processes is different from their involvement in other forms of art.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Hal-Diderot
    Other literature type . 2017
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Claude Springer;

    Ce debut du 21e siecle est marque par l'explosion des reseaux sociaux mais egalement par une nouvelle approche plus informelle, massive et ouverte de l'apprentissage. La dimension sociale (Springer, 2009), que l'on peut deduire de la prise en compte de l'action sociale (CECR, 2001), doit etre interpretee dans toute sa dimension a la fois physique et virtuelle. L'acteur social est aujourd'hui connecte, confronte a des « textes » qui ne relevent plus uniquement du mode ecrit et de la litteratie classique, ni meme de la plurilitteratie. La question de l'integration linguistique des migrants doit ainsi prendre en compte la nouvelle donne numerique. Or, la didactique des langues vise avant tout la maitrise de la litteratie ecrite, malgre l'affirmation de l'importance de la communication orale et l'accent mis sur l'education plurilingue comme finalite. Il en va de meme pour les echelles de performances du CECR ainsi que pour les certifications en langues, et en particulier pour les certifications du public migrant tres marquees par l'alphabetisation (Huver et Springer, 2011). Les nouvelles vagues de migration, auxquelles nous assistons, montrent l'importance croissante de l'e-migration et des reseaux sociaux qui accompagnent les migrants dans leur fuite de la guerre et de la barbarie. Diminescu (2005) decrit les reseaux mis en place par les migrants connectes ; Bashi (2007), de son cote, montre que l'integration sociale (la survie sociale) depend de la qualite des liens (survival of the knitted) qu'ils entretiennent avec leurs communautes. La theorie des reseaux de liens (Granovetter, 1973) exprime cette nouvelle realite. La competence plurilingue ne peut donc plus suffire. Elle est portee et renforcee par de nouvelles competences qui relevent de la translitteratie (digital literacy) et de la multimodalite. De nouvelles recherches (Kress, 2009) montrent que le monde numerique actuel n'est plus fonde sur le mode ecrit. La toile propose en effet des « textes » multimodaux qui relevent plus d'une semiotique sociale (Halliday, 1978) que d'une linguistique structurale et textuelle ou d'une sociolinguistique. Des lors, il semble indispensable de faire evoluer le cadrage theorique qui sous-tend la didactique des langues, le CECR ainsi que les certifications pour les migrants adultes. Nous appuierons cette problematique sur une analyse de discours de forums de migrants (Facebook) ainsi que sur les resultats d'une enquete aupres d'associations de migrants a Marseille. La Recommandation 2034 (2014) alinea 7.2. suggere de « proposer des options autres que les tests de langue/d'integration pour promouvoir et mesurer l'integration et ameliorer les perspectives d'integration des migrants et des candidats a l'immigration ». Il nous semble que ces options devraient prendre en compte les nouvelles competences numeriques pour accompagner une societe de la connaissance reellement inclusive (Strategie de Lisbonne, 2000, et Europe 2020).

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ https://doi.org/10.1...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    HAL AMU
    Part of book or chapter of book . 2017
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ https://doi.org/10.1...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      HAL AMU
      Part of book or chapter of book . 2017
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Emil Turc; Philippe Baumard;

    International audience

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ https://hal-amu.arch...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    https://hal-amu.archives-ouver...
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    HAL AMU
    Part of book or chapter of book . 2007
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    https://doi.org/10.1007/3-540-...
    Part of book or chapter of book . 2007
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Polman, Joseph L.; Pea, Roy D.;

    in press; not available

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Louis Tsakou-Ngouafo; Celia Vicari; Laura Helou; Vivek Keshri; +3 Authors

    International audience; DDE Transposons have been recruited at least four times as site-specific recombination activating gene allowing programmed DNA elimination in eukaryotes. The described cases are RAG in jawed vertebrates, Kat 1 and Alpha 3 in the Kluyveromyces lactis yeast and Piggymac/TPB1 TPB2 and TPB6 in ciliates. The domesticated RAG is the most known case. It constitutes the enzymatic core of the Jawed vertebrates V(D)J recombination machinery. It directs random assembly and joining of gene segments during the development of B and T cells helping in the generation of the enormous gene diversity encoding antibodies or T cell receptors. It was shown in the case of RAG that the shift from DDE transposon to site-specific recombination activating gene is an evolutionary phenomenon that did not require dramatic changes. This explains why the co-option of DDE transposon as site-specific recombination activating gene can occur in a convergent manner. As numerous genes coding for DDE transposases are widespread through numerous members of the life tree, it is expected that several of them might correspond to domesticated transposons involved in programmed DNA elimination and maybe in the generation of receptor diversity. The domestication of DDE transposon could have been and still be of an extreme importance for organisms' evolution.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ https://hal.archives...arrow_drop_down
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    https://hal.archives-ouvertes....
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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    https://doi.org/10.1007/978-3-...
    Part of book or chapter of book . 2020
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    HAL AMU
    Part of book or chapter of book . 2020
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    Hal-Diderot
    Part of book or chapter of book . 2020
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    HAL AMU; HAL-IRD
    Part of book or chapter of book . 2020
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ https://hal.archives...arrow_drop_down
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      https://doi.org/10.1007/978-3-...
      Part of book or chapter of book . 2020
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      HAL AMU
      Part of book or chapter of book . 2020
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      Hal-Diderot
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      Part of book or chapter of book . 2020
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  • Authors: Jian-Xiong Sheng; A. Ysasi; Dmitry Kolomenskiy; Eva Kanso; +2 Authors

    International audience; We compare different models to simulate two-dimensional vortex wakes behind oscillating plates. In particular, we compare solutions using a vortex sheet model and the simpler Brown-Michael model to solutions of the full Navier-Stokes equations obtained using a penalization method. The goal is to determine whether simpler models can be used to obtain good approximations to the form of the wake and the induced forces on the body.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: James Sneed German; Eyal Sagi; Stefan Kaufmann; Brady Clark;

    In English and other languages, the distribution of nuclear pitch accents within a sentence usually reflects how the meaningful parts of the sentence relate to the context. Generally speaking, the nuclear pitch accent can only occur felicitously on focused parts of the sentence, corresponding to information that is not contextually retrievable or given. In most contemporary theories, focus is formally represented by an abstract syntactic feature ‘F’. Those parts of the sentence that are given tend to resist F-marking and thus nuclear accentuation. In short, there is a more or less tight coupling between (i) the contextual information status of parts of the sentence; (ii) the focus structure of the sentence (represented by the distribution of syntactic F-marking); and (iii) the actual accent placement in the phonological form.

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    Part of book or chapter of book . 2011
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    https://doi.org/10.1007/978-3-...
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      Digital Repository of NTU
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      https://doi.org/10.1007/978-3-...
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    Authors: Yves Aubry; Wouter Castryck; Sudhir R. Ghorpade; Gilles Lachaud; +2 Authors

    We consider the question of determining the maximum number of $\mathbb{F}_q$-rational points that can lie on a hypersurface of a given degree in a weighted projective space over the finite field $\mathbb{F}_q$, or in other words, the maximum number of zeros that a weighted homogeneous polynomial of a given degree can have in the corresponding weighted projective space over $\mathbb{F}_q$. In the case of classical projective spaces, this question has been answered by J.-P. Serre. In the case of weighted projective spaces, we give some conjectures and partial results. Applications to coding theory are included and an appendix providing a brief compendium of results about weighted projective spaces is also included.

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    http://arxiv.org/pdf/1706.0305...
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    HAL Descartes; HAL AMU
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      http://arxiv.org/pdf/1706.0305...
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      HAL Descartes; HAL AMU
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137 Research products
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Pierre Drap; Odile Papini; Djamal Merad; Jérôme Pasquet; +9 Authors

    International audience; This chapter introduces several state of the art techniques that could help to make deep underwater archaeological photogrammetric surveys easier, faster, more accurate, and to provide more visually appealing representations in 2D and 3D for both experts and public. We detail how the 3D captured data is analysed and then represented using ontologies, and how this facilitates interdisciplinary interpretation and cooperation. Towards more automation, we present a new method that adopts a deep learning approach for the detection and the recognition of objects of interest, amphorae for example. In order to provide more readable, direct and clearer illustrations, we describe several techniques that generate different styles of sketches out of orthophotos developed using neural networks. In the same direction, we present the Non-Photorealistic Rendering (NPR) technique, which converts a 3D model into a more readable 2D representation that is more useful to communicate and simplifies the identification of objects of interest. Regarding public dissemination, we demonstrate how recent advances in virtual reality to provide an accurate, high resolution, amusing and appropriate visualization tool that offers the public the possibility to ‘visit’ an unreachable archaeological site. Finally, we conclude by introducing the plenoptic approach, a new promising technology that can change the future of the photogrammetry by making it easier and less time consuming and that allows a user to create a 3D model using only one camera shot. Here, we introduce the concepts, the developing process, and some results, which we obtained with underwater imaging.

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    https://doi.org/10.1007/978-3-...
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    https://link.springer.com/cont...
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      https://doi.org/10.1007/978-3-...
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      https://link.springer.com/cont...
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Dan E. Webster; Sandrine Roulland; James D. Phelan;

    Genome-wide screens are a powerful technique to dissect the complex network of genes regulating diverse cellular phenotypes. The recent adaptation of the CRISPR-Cas9 system for genome engineering has revolutionized functional genomic screening. Here, we present protocols used to introduce Cas9 into human lymphoma cell lines, produce high-titer lentivirus of a genome-wide sgRNA library, transduce and culture cells during the screen, isolate genomic DNA, and prepare a custom library for next-generation sequencing. These protocols were tailored for loss-of-function CRISPR screens in human lymphoma cell lines but are highly amenable for other experimental purposes.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Methods in Molecular...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Methods in Molecular Biology
    Other literature type . Part of book or chapter of book . 2019
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Methods in Molecular Biology
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    Authors: Trentini, Bruno;

    International audience; This article aims at conceptually marking out the different cognitive processes involved in the experience of mobile art devices, and at understanding to what extent the involvement of these cognitive processes is different from their involvement in other forms of art.

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    Hal-Diderot
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    Authors: Claude Springer;

    Ce debut du 21e siecle est marque par l'explosion des reseaux sociaux mais egalement par une nouvelle approche plus informelle, massive et ouverte de l'apprentissage. La dimension sociale (Springer, 2009), que l'on peut deduire de la prise en compte de l'action sociale (CECR, 2001), doit etre interpretee dans toute sa dimension a la fois physique et virtuelle. L'acteur social est aujourd'hui connecte, confronte a des « textes » qui ne relevent plus uniquement du mode ecrit et de la litteratie classique, ni meme de la plurilitteratie. La question de l'integration linguistique des migrants doit ainsi prendre en compte la nouvelle donne numerique. Or, la didactique des langues vise avant tout la maitrise de la litteratie ecrite, malgre l'affirmation de l'importance de la communication orale et l'accent mis sur l'education plurilingue comme finalite. Il en va de meme pour les echelles de performances du CECR ainsi que pour les certifications en langues, et en particulier pour les certifications du public migrant tres marquees par l'alphabetisation (Huver et Springer, 2011). Les nouvelles vagues de migration, auxquelles nous assistons, montrent l'importance croissante de l'e-migration et des reseaux sociaux qui accompagnent les migrants dans leur fuite de la guerre et de la barbarie. Diminescu (2005) decrit les reseaux mis en place par les migrants connectes ; Bashi (2007), de son cote, montre que l'integration sociale (la survie sociale) depend de la qualite des liens (survival of the knitted) qu'ils entretiennent avec leurs communautes. La theorie des reseaux de liens (Granovetter, 1973) exprime cette nouvelle realite. La competence plurilingue ne peut donc plus suffire. Elle est portee et renforcee par de nouvelles competences qui relevent de la translitteratie (digital literacy) et de la multimodalite. De nouvelles recherches (Kress, 2009) montrent que le monde numerique actuel n'est plus fonde sur le mode ecrit. La toile propose en effet des « textes » multimodaux qui relevent plus d'une semiotique sociale (Halliday, 1978) que d'une linguistique structurale et textuelle ou d'une sociolinguistique. Des lors, il semble indispensable de faire evoluer le cadrage theorique qui sous-tend la didactique des langues, le CECR ainsi que les certifications pour les migrants adultes. Nous appuierons cette problematique sur une analyse de discours de forums de migrants (Facebook) ainsi que sur les resultats d'une enquete aupres d'associations de migrants a Marseille. La Recommandation 2034 (2014) alinea 7.2. suggere de « proposer des options autres que les tests de langue/d'integration pour promouvoir et mesurer l'integration et ameliorer les perspectives d'integration des migrants et des candidats a l'immigration ». Il nous semble que ces options devraient prendre en compte les nouvelles competences numeriques pour accompagner une societe de la connaissance reellement inclusive (Strategie de Lisbonne, 2000, et Europe 2020).

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    Authors: Emil Turc; Philippe Baumard;

    International audience

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    https://doi.org/10.1007/3-540-...
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