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  • 2013-2022
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  • Authors: Clivaz, Claire;

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Olivia Hadjadj; Margaret Kehoe; Hélène Delage;

    Dynamic Assessment (DA) is recommended for testing bilinguals as it tests the child’s learning potential and not her or his previously acquired language knowledge. Thus, it allows language difficulties to be distinguished from difficulties related to a lack of L2 exposure. This study presents the findings of DA of morphosyntax in French-speaking monolingual and bilingual children, both Typically Developing (TD) and with Developmental Language Disorder (DLD). We examined whether DA was able to distinguish TD from DLD in children, irrespective of their linguistic group (mono- versus bilingual). Morphosyntactic skills were assessed in a sample of 37 children with DLD (19 bilinguals) and 42 with TD (18 bilinguals), aged from 5 to 12. We assessed six syntactic structures: simple sentences (SVO) in present and past tense, subject relatives, accusative clitic pronouns, passives, and object relatives. We provided graduated prompts if children were not able to produce the target sentences. The results confirmed the accuracy of our morphosyntactic task to disentangle children with TD from children with DLD, regardless of their linguistic group. Moreover, cutoffs for each structure as well as for the total score, as determined via ROC curves, indicated high sensitivity and specificity for children with DLD who had a documented morphosyntactic deficit.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Languagesarrow_drop_down
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    Other literature type . Article . Conference object . 2022 . Peer-reviewed
    License: CC BY
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Article . 2022
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Languagesarrow_drop_down
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      Other literature type . Article . Conference object . 2022 . Peer-reviewed
      License: CC BY
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      Article . 2022
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Benoît Chevrier; Laurent Lespez; Brice Lebrun; Aline Garnier; +7 Authors

    The end of the Palaeolithic represents one of the least-known periods in the history of western Africa, both in terms of its chronology and the identification of cultural assemblages entities based on the typo-technical analyses of its industries. In this context, the site of Fatandi V offers new data to discuss the cultural pattern during the Late Stone Age in western Africa. Stratigraphic, taphonomical and sedimentological analyses show the succession of three sedimentary units. Several concentrations with rich lithic material were recognized. An in situ occupation, composed of bladelets, segments, and bladelet and flake cores, is confirmed while others concentrations of lithic materials have been more or less disturbed by erosion and pedogenic post-depositional processes. The sequence is well-dated from 12 convergent OSL dates. Thanks to the dating of the stratigraphic units and an OSL date from the layer (11,300–9,200 BCE [13.3–11.2 ka at 68%, 14.3–10.3 ka at 95%]), the artefacts are dated to the end of Pleistocene or Early Holocene. Palaeoenvironmental data suggest that the settlement took place within a mosaic environment and more precisely at the transition between the open landscape of savanna on the glacis and the plateau, and the increasingly densely-wooded alluvial corridor. These humid areas must have been particularly attractive during the dry season by virtue of their rich resources (raw materials, water, trees, and bushes). The Fatandi V site constitutes the first stratified site of the Pleistocene/Holocene boundary in Senegal with both precise geochronological and palaeoenvironmental data. It complements perfectly the data already obtained in Mali and in the rest of western Africa, and thus constitutes a reference point for this period. In any case, the assemblage of Fatandi V, with its bladelets and segments and in the absence of ceramics and grinding material, fits with a cultural group using exclusively geometric armatures which strongly differs from another group characterized by the production of bifacial armatures, accompanied in its initial phase by ceramics (or stoneware) and grinding material.

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    PLoS ONE
    Conference object . Article . 2020 . Peer-reviewed
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    Article . 2020
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      Conference object . Article . 2020 . Peer-reviewed
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      Article . 2020
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Delvoye, Adrien;

    Often associated with the monumental structures of the European Neolithic, megalithic structures are in fact found on almost all the continents of the globe. Far from being an exception, Africa is home to a vast diversity of monuments built with these blocks of up to several tonnes in weight. They can be both included within structures or erected around them, in the form of standing stones. In Africa, megalithic structures have been documented since the sixth millennium bce roughly until the contemporary period. They are recorded from North Africa to Madagascar, and from the Atlantic shores of West Africa to the Sahara and the Horn of Africa. Therefore, they correspond to very diverse cultural contexts and a wide range of uses. In addition to the funerary function often observed, megalithic monuments may also have a commemorative role or stand as territorial markers. African megaliths can be apprehended through different sources, whether they refer to past or present societies. In fact, unlike other regions of the world, modern and contemporary megalithic traditions are attested in Africa. Archaeology thus finds a possibility to broaden its perspectives by initiating a dialogue with ethnographic data.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Archive ouverte UNIG...arrow_drop_down
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    Archive ouverte UNIGE
    Part of book or chapter of book . 2021
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Archive ouverte UNIG...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      Part of book or chapter of book . 2021
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Federico Pianzola; Federico Pianzola; Simone Rebora; Simone Rebora; +1 Authors

    The end of deep reading is a commonplace in public debates, whenever societies talk about youth, books, and the digital age. In contrast to this, we show for the first time and in detail, how intensively young readers write and comment literary texts at an unprecedented scale. We present several analyses of how fiction is transmitted through the social reading platform Wattpad, one of the largest platforms for user-generated stories, including novels, fanfiction, humour, classics, and poetry. By mixed quantitative and qualitative methods and scalable reading we scrutinise texts and comments on Wattpad, what themes are preferred in 13 languages, what role does genre play for readers behaviour, and what kind of emotional engagement is prevalent when young readers share stories. Our results point out the rise of a global reading culture in youth reading besides national preferences for certain topics and genres, patterns of reading engagement, aesthetic values and social interaction. When reading Teen Fiction social-bonding (affective interaction) is prevalent, when reading Classics social-cognitive interaction (collective intelligence) is prevalent. An educational outcome suggests that readers who engage in Teen Fiction learn to read Classics and to judge books not only in direct emotional response to character’s behaviour, but focusing more on contextualised interpretation of the text.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Europe PubMed Centra...arrow_drop_down
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    PLoS ONE
    Conference object . Article . Other literature type . 2020 . Peer-reviewed
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    Article . 2020
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    https://doi.org/10.17613/tk5q6...
    Article . 2020
    License: CC BY
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      https://doi.org/10.17613/tk5q6...
      Article . 2020
      License: CC BY
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    Authors: Naderi, Nona; Gobeill, Julien; Teodoro, Douglas; Pasche, Emilie; +1 Authors

    This paper describes the systems developed by the BiTeM team for the CLEF eRisk Task 1 and 2, 2019. The goal was to predict the risk of anorexia and self-harm from user-generated content on Reddit. Several approaches based on supervised learning were used to estimate the risk of anorexia and self-harm. The systems were able to achieve low to moderate results.

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    Part of book or chapter of book . 2019
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      Part of book or chapter of book . 2019
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    Authors: Derenne, Eve; Ard, Vincent; Besse, Marie;

    Abstract The spread of the Bell Beaker phenomenon across Europe is still strongly debated today. Small-scale technological studies investigating its integration in local contexts remain rare, even though these are crucial to observing disruptions in traditions. In this article, we studied the ceramic technology of Final Neolithic, Bell Beaker period, and Early Bronze Age settlements of the Upper Rhône valley in Switzerland (3300–1600 BCE). We reconstructed and compared their pottery traditions to those from the contemporaneous megalithic necropolis of Sion ‘Petit-Chasseur’, a major funerary and ritual site located in the centre of the valley. Our findings showed that the Bell Beaker period saw an abundance of simultaneous technical changes, mirroring disruptions identified by other fields, and confirmed that this cultural phenomenon did not blend seamlessly with the local context. More importantly, they revealed the role played by human mobility, with the arrival of potters shortly after 2500 BCE.

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    Open Archaeology
    Article . 2022
    Data sources: DOAJ
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    Open Archaeology
    Article . Conference object . 2022 . Peer-reviewed
    License: CC BY
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      Open Archaeology
      Article . 2022
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      Open Archaeology
      Article . Conference object . 2022 . Peer-reviewed
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    Authors: Zaugg, Roberto;

    This essay examines the geographic origins, the political belongings and the confessional profiles of the members of the two most important mercantile nations of eighteenth-century southern Italy: the French nation and the British factory of Naples. Taking into account their pronounced prosopographic heterogeneity, it shows how legal resources and their social uses played a crucial role in defining the boundaries of such groups. International audience

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    Other literature type . 2015
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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    Part of book or chapter of book . 2015
    https://doi.org/10.5167/uzh-17...
    Other literature type . 2015
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    Authors: Mayor, Anne;

    Ceramic studies in archaeology have long focussed only on the stylistic classication of artefacts, through space and in time, based on morphological and decorative criteria. Few researchers were interested in the technical and functional aspects. It is now accepted that a set of stylistic traits does not necessarily coincide with a certain population. Many studies have demonstrated that technical aspects, on the other hand, are closely correlated to the identity of the producer group, as they often result from an early apprenticeship within the ethno-linguistic group. The transmission of technical knowledge can also follow other social configurations, such as clan, socio-professional class, or gender. Technical elements therefore provide essential information, even if they seem difficult to access. Furthermore, all pottery is produced in a particular context and is made to be used. The artisan will therefore make technical choices that take into account environmental and cultural constraints, as well as intended use. Studying the technical variability of ceramic assemblages thus aims at understanding the artisans' technical choices and their meanings. The technological analysis of archaeological ceramics involves a reconstruction of the different manufacturing steps following a chaîne opératoire framework. The main stages are clay processing, shaping, nishing, and ring. In archaeology, the interpretation of ceramics usually refers to – explicitly or not – a series of knowledge built by different approaches. Ethnoarchaeology provides explicit references that are useful for interpreting the past by studying systematically, in the present, the links between ceramics and their various meanings, as well as the mechanisms behind observed regularities. technological analyses therefore often rely on ethnoarchaeology, and other approaches such as experimental archaeology or archaeometry. These methods are varied and borrow elements from cultural anthropology as well as analytical tools from the natural sciences.

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    Part of book or chapter of book . 2017
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Charriere, Elodie; Girardclos, Stéphanie; Fekkak, Hatem; Baudoui, Remi;

    Immediately after World War II, many governments around the world needed to get rid as fast as possible of huge stockpiles of conventional and chemical munitions to avoid possible security concerns. Several waste management approaches have been used, including open-pit burning, firing, exploding, dumping and land burial. For a number of reasons, mainly related to cost-efficiency, safety and fastness, the globally most common adopted solution was to dump munitions. A variety of geographic underwater munitions sites have been used, including lakes, ponds, marshes, streams, rivers, estuaries, harbours, canals, seas and oceans. Over time, the emergence of environmental conscience has brought this issue back on the political agenda with a particular attention on environmental risks. This legacy of munitions in varied underwater environments presents risks: exposure and contamination of underwater organisms and ecosystems as well as direct human health impact. With this study, using personal interviews, reports and archival research methods, we intend to raise awareness about the specific political and geographical situation of Switzerland on this subject and to provide an overview of new research results and research gaps about munitions dumped in Lake Geneva. Moreover, our study aspires to highlight the culture of secrecy's capability to interfere with ecological policy, and to become an obstacle to implement proper risk management measures.

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    Conference object . 2014
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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