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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Juneja, Monica; Trede, Melanie; de Castro, Inès;

    Der Begriff Kulturerbe kann als Schöpfung der historischen Imagination moderner Nationen beschrieben werden. Ursprünglich eine Errungenschaft der europäischen Aufklärung ist er heute zum globalen Konzept geworden, wie auch seine institutionalisierten Einrichtungen der Denkmalpflege oder der Museen. Die Stilisierung historischer Überreste aus der Vergangenheit zu nationalen Erinnerungsorten, die zur Stiftung kollektiver Identitäten beitragen sollen, fand in dem von Pierre Nora geprägten Begriff „lieux de mémoire“ seine eindeutige Kanonisierung. Der Vortrag lenkt unsere Aufmerksamkeit auf die Brüchigkeit der auf allgemeinen Konsens ruhenden Erinnerungsfunktion von Kulturerbe. Arjun Appadurai bezeichnet den gängigen Begriff von Kulturerbe als „predatory“ („räuberisch“): Inwieweit gründen sich die durch ihn zelebrierten Formen der Erinnerung auf die Eliminierung anderer Formen? Wo erhalten wir Zugang zu den unterdrückten Formen der Erinnerung? Der Vortrag geht auf die Herausforderung der gegenwärtig konfliktträchtig gewordenen Beziehung zwischen Nation und Kultur für die an der wissenschaftlichen Erforschung und dem Erhalt von Kulturerbe beteiligten Fächer und Institutionen ein. Er fragt nach den analytischen Mitteln, die geeignet wären, um ein multiskaliertes, polyvalentes Verständnis von Kulturerbe zu entwickeln.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Heidelberger Dokumen...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Heidelberger Dokumen...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Frommer, Bianca; Holtgräwe, Daniela; Weisshaar, Bernd;

    The dataset contains a table listing the RNA editing sites of the 'Börner' mitochondrial genome sequence (mt_Boe). In addition, coding sequences (CDS) and protein sequences from the mitochondrial genes subject to RNA editing (edited and not edited versions) are provided. The data belong to the study 'Genome sequences of both organelles of the grapevine rootstock cultivar ‘Börner’' which contains additional information about this dataset.

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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Publications at Biel...arrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Schmitt, Nicolai; Schmidt, Mareike; Hübner, Gerold; Etzold, Bastian J.M.;

    Mass specific ORR activity determined by interpolation out of the recorded polarization curves shown in Figure 6 in O2-atmosphere depending on the catalyst loading.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ TUdatalibarrow_drop_down
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    TUdatalib
    Dataset . 2022
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      TUdatalib
      Dataset . 2022
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Daly, Angela;

    “Rule of Law Rules” is our podcast on Rule of Law in the age of digitalization from the Konrad-Adenauer-Stiftung. The host of the podcast is Dr Angela Daly, a socio-legal scholar of digital technology. In each episode, she will interview one international expert about the opportunities and challenges for human rights in the digital age. We will gain insights into recent developments from different parts of the world. After getting an overview of the latest regulations on “Data Protection” around the world in our first six episodes, now we want to focus on “Legal Tech” and the Access to Justice. We start our journey in the Middle East with Suzanna Kalendzhian. Suzanna is the Co-founder and CEO of Legal Advice Middle East, the AI-powered legal services marketplace which operates in 16 countries across the region. Her company helps people to get access to justice by allowing them to find, communicate and transact with lawyers online. We spoke with her about Legal Technology in her region, the Middle East. Völkerrechtsblog

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ <intR>²Dokarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    <intR>²Dok
    Sound . 2021
    License: CC BY SA
    Data sources: <intR>²Dok
    <intR>²Dok
    Sound . 2021
    License: CC BY SA
    Data sources: Datacite
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ <intR>²Dokarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      <intR>²Dok
      Sound . 2021
      License: CC BY SA
      Data sources: <intR>²Dok
      <intR>²Dok
      Sound . 2021
      License: CC BY SA
      Data sources: Datacite
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Fernández Martínez, Jessica Alejandra; Gava Muller, Ana Carolina; Duarte Sanchez, Diana Karina;

    Cortometraje de ficción, basado en el cuento "El ovillo" de Renee Ferrer, tratando de la vida de una mujer común y la subversión en el silencio. Melina, una mujer de 65 años devota a su familia comienza a tejer un suéter. Sin hablar, pasa los días tejiendo inmersa en los recuerdos y voces del pasado forzando a sus hijas a cuidar de ella. Así, como los hilos del ovillo, el pasado de Melina marcado por una sumisión absoluta se desvela, un pasado en el que llega a dejarse de lado por su familia, hasta que se rebela. Melina, uma mulher de 65 anos dedicados à sua família começa a tricotar uma suéter. Sem falar, ele passa seus dias tecer imerso em memórias e vozes do passado forçando suas filhas para cuidar dela. Assim, como os fios da meada, o passado de Melina marcada pela submissão absoluta é revelado, um passado que vem a ser negligenciada por sua família, até que rebeldes.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Repositório Instituc...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Repositório Instituc...arrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Gross, Felix; Kopte, Robert; Schneider, Ralph R;

    Upper-ocean velocities along the cruise track of RV MARIA S. MERIAN cruise MSM101 were continuously collected by a vessel-mounted Teledyne RD Instruments 38 kHz Ocean Surveyor ADCP. The transducer was located at 6.5 m below the water line. The instrument was operated in narrowband mode with 32 m bins and a blanking distance of 16.0 m, while 50 bins were recorded using a pulse of 2.87 s. The ship's velocity was calculated from position fixes obtained by the Global Positioning System (GPS). Heading, pitch and roll data from the ship's gyro platforms and the navigation data were used by the data acquisition software VmDas internally to convert ADCP velocities into earth coordinates. Accuracy of the ADCP velocities mainly depends on the quality of the position fixes and the ship's heading data. Further errors stem from a misalignment of the transducer with the ship's centerline. Data post-processing included water track calibration of the misalignment angle (0.37° +/- 0.6318°) and scale factor (1.0000 +/- 0.0126) of the Ocean Surveyor signal. The average interval was set to 60 s. Velocity quality flagging is based on following threshold criteria: abs(UC) or abs(VC) > 2.0 m/s, rms(UC_z) or rms(VC_z) > 0.3.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ PANGAEA - Data Publi...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    PANGAEA
    Dataset . 2022
    Data sources: B2FIND
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ PANGAEA - Data Publi...arrow_drop_down
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      PANGAEA
      Dataset . 2022
      Data sources: B2FIND
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Metz, Johannes; Lampei, Christian; Bäumler, Laura; Bocherens, Hervé; +4 Authors

    Rapid evolution of traits and of plasticity may enable adaptation to climate change, yet solid experimental evidence under natural conditions is scarce. Here, we imposed rainfall manipulations (+30%, control, -30%) for ten years on entire natural plant communities in two Eastern Mediterranean sites. Additional sites along a natural rainfall gradient and selection analyses in a greenhouse assessed whether potential responses were adaptive. In both sites, our annual target species Biscutella didyma consistently evolved earlier phenology and higher reproductive allocation under drought. Multiple arguments suggest that this response was adaptive: it aligned with theory, corresponding trait shifts along the natural rainfall gradient, and selection analyses under differential watering in the greenhouse. However, another seven candidate traits did not evolve, and there was little support for evolution of plasticity. Our results provide compelling evidence for rapid adaptive evolution under climate change. Yet, several non-evolving traits may indicate potential constraints to full adaptation. The data table contains trait values for ten plant functional traits of 320 genotypes of Biscutella didyma, raised in the greenhouse under five water levels. Genotypes originated from four sites along a natural rainfall gradient: In the two intermediate sites (SA semi-arid, M Mediterranean) ten years Climate Change manipulations (dry -30%, control, wet +30% rainfall) had been imposed prior to seed collection; two additional control sites (A arid, MM mesic-Mediterranean) extended the span of the natural rainfall gradient.

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    ZENODO
    Dataset . 2021
    License: CC 0
    Data sources: ZENODO
    DRYAD
    Dataset . 2021
    License: CC 0
    Data sources: Datacite
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      ZENODO
      Dataset . 2021
      License: CC 0
      Data sources: ZENODO
      DRYAD
      Dataset . 2021
      License: CC 0
      Data sources: Datacite
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    Authors: Intensivregister-Team am RKI;

    Die Tagesdaten-CSV entspricht einem Auszug der Daten des DIVI-Intensivregisters. Die Datei enthält eine Aggregation der aktuellsten Meldungen pro Landkreis. Es werden die aktuell gemeldeten Anzahlen der COVID-19 Intensivfälle sowie die gemeldeten intensivmedizinischen Behandlungskapazitäten angezeigt. Die Tagesdaten-CSV liefert dabei ausschließlich einen Blick auf die Daten gemäß dem Stand des betrachteten Tages. Die Daten sind im situationsbedingten Kontext aufbereitet, damit sind verschiedene Tagesdaten-CSVs u.U. nicht direkt miteinander vergleichbar. Die aktuellsten Meldungen werden im gewählten Betrachtungszeitfenster über alle Meldebereiche und Standorte aufsummiert. Weitere Informationen sind zu finden unter https://www.intensivregister.de/#/faq

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    Authors: Intensivregister-Team am RKI;

    Die Tagesdaten-CSV entspricht einem Auszug der Daten des DIVI-Intensivregisters. Die Datei enthält eine Aggregation der aktuellsten Meldungen pro Landkreis. Es werden die aktuell gemeldeten Anzahlen der COVID-19 Intensivfälle sowie die gemeldeten intensivmedizinischen Behandlungskapazitäten angezeigt. Die Tagesdaten-CSV liefert dabei ausschließlich einen Blick auf die Daten gemäß dem Stand des betrachteten Tages. Die Daten sind im situationsbedingten Kontext aufbereitet, damit sind verschiedene Tagesdaten-CSVs u.U. nicht direkt miteinander vergleichbar. Die aktuellsten Meldungen werden im gewählten Betrachtungszeitfenster über alle Meldebereiche und Standorte aufsummiert. Weitere Informationen sind zu finden unter https://www.intensivregister.de/#/faq

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    Authors: Intensivregister-Team am RKI;

    Die Tagesdaten-CSV entspricht einem Auszug der Daten des DIVI-Intensivregisters. Die Datei enthält eine Aggregation der aktuellsten Meldungen pro Landkreis. Es werden die aktuell gemeldeten Anzahlen der COVID-19 Intensivfälle sowie die gemeldeten intensivmedizinischen Behandlungskapazitäten angezeigt. Die Tagesdaten-CSV liefert dabei ausschließlich einen Blick auf die Daten gemäß dem Stand des betrachteten Tages. Die Daten sind im situationsbedingten Kontext aufbereitet, damit sind verschiedene Tagesdaten-CSVs u.U. nicht direkt miteinander vergleichbar. Die aktuellsten Meldungen werden im gewählten Betrachtungszeitfenster über alle Meldebereiche und Standorte aufsummiert. Weitere Informationen sind zu finden unter https://www.intensivregister.de/#/faq

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Juneja, Monica; Trede, Melanie; de Castro, Inès;

    Der Begriff Kulturerbe kann als Schöpfung der historischen Imagination moderner Nationen beschrieben werden. Ursprünglich eine Errungenschaft der europäischen Aufklärung ist er heute zum globalen Konzept geworden, wie auch seine institutionalisierten Einrichtungen der Denkmalpflege oder der Museen. Die Stilisierung historischer Überreste aus der Vergangenheit zu nationalen Erinnerungsorten, die zur Stiftung kollektiver Identitäten beitragen sollen, fand in dem von Pierre Nora geprägten Begriff „lieux de mémoire“ seine eindeutige Kanonisierung. Der Vortrag lenkt unsere Aufmerksamkeit auf die Brüchigkeit der auf allgemeinen Konsens ruhenden Erinnerungsfunktion von Kulturerbe. Arjun Appadurai bezeichnet den gängigen Begriff von Kulturerbe als „predatory“ („räuberisch“): Inwieweit gründen sich die durch ihn zelebrierten Formen der Erinnerung auf die Eliminierung anderer Formen? Wo erhalten wir Zugang zu den unterdrückten Formen der Erinnerung? Der Vortrag geht auf die Herausforderung der gegenwärtig konfliktträchtig gewordenen Beziehung zwischen Nation und Kultur für die an der wissenschaftlichen Erforschung und dem Erhalt von Kulturerbe beteiligten Fächer und Institutionen ein. Er fragt nach den analytischen Mitteln, die geeignet wären, um ein multiskaliertes, polyvalentes Verständnis von Kulturerbe zu entwickeln.

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    Authors: Frommer, Bianca; Holtgräwe, Daniela; Weisshaar, Bernd;

    The dataset contains a table listing the RNA editing sites of the 'Börner' mitochondrial genome sequence (mt_Boe). In addition, coding sequences (CDS) and protein sequences from the mitochondrial genes subject to RNA editing (edited and not edited versions) are provided. The data belong to the study 'Genome sequences of both organelles of the grapevine rootstock cultivar ‘Börner’' which contains additional information about this dataset.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Schmitt, Nicolai; Schmidt, Mareike; Hübner, Gerold; Etzold, Bastian J.M.;

    Mass specific ORR activity determined by interpolation out of the recorded polarization curves shown in Figure 6 in O2-atmosphere depending on the catalyst loading.

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    TUdatalib
    Dataset . 2022
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      TUdatalib
      Dataset . 2022
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Daly, Angela;

    “Rule of Law Rules” is our podcast on Rule of Law in the age of digitalization from the Konrad-Adenauer-Stiftung. The host of the podcast is Dr Angela Daly, a socio-legal scholar of digital technology. In each episode, she will interview one international expert about the opportunities and challenges for human rights in the digital age. We will gain insights into recent developments from different parts of the world. After getting an overview of the latest regulations on “Data Protection” around the world in our first six episodes, now we want to focus on “Legal Tech” and the Access to Justice. We start our journey in the Middle East with Suzanna Kalendzhian. Suzanna is the Co-founder and CEO of Legal Advice Middle East, the AI-powered legal services marketplace which operates in 16 countries across the region. Her company helps people to get access to justice by allowing them to find, communicate and transact with lawyers online. We spoke with her about Legal Technology in her region, the Middle East. Völkerrechtsblog

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    <intR>²Dok
    Sound . 2021
    License: CC BY SA
    Data sources: <intR>²Dok
    <intR>²Dok
    Sound . 2021
    License: CC BY SA
    Data sources: Datacite
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      <intR>²Dok
      Sound . 2021
      License: CC BY SA
      Data sources: <intR>²Dok
      <intR>²Dok
      Sound . 2021
      License: CC BY SA
      Data sources: Datacite
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Fernández Martínez, Jessica Alejandra; Gava Muller, Ana Carolina; Duarte Sanchez, Diana Karina;

    Cortometraje de ficción, basado en el cuento "El ovillo" de Renee Ferrer, tratando de la vida de una mujer común y la subversión en el silencio. Melina, una mujer de 65 años devota a su familia comienza a tejer un suéter. Sin hablar, pasa los días tejiendo inmersa en los recuerdos y voces del pasado forzando a sus hijas a cuidar de ella. Así, como los hilos del ovillo, el pasado de Melina marcado por una sumisión absoluta se desvela, un pasado en el que llega a dejarse de lado por su familia, hasta que se rebela. Melina, uma mulher de 65 anos dedicados à sua família começa a tricotar uma suéter. Sem falar, ele passa seus dias tecer imerso em memórias e vozes do passado forçando suas filhas para cuidar dela. Assim, como os fios da meada, o passado de Melina marcada pela submissão absoluta é revelado, um passado que vem a ser negligenciada por sua família, até que rebeldes.

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    Authors: Gross, Felix; Kopte, Robert; Schneider, Ralph R;

    Upper-ocean velocities along the cruise track of RV MARIA S. MERIAN cruise MSM101 were continuously collected by a vessel-mounted Teledyne RD Instruments 38 kHz Ocean Surveyor ADCP. The transducer was located at 6.5 m below the water line. The instrument was operated in narrowband mode with 32 m bins and a blanking distance of 16.0 m, while 50 bins were recorded using a pulse of 2.87 s. The ship's velocity was calculated from position fixes obtained by the Global Positioning System (GPS). Heading, pitch and roll data from the ship's gyro platforms and the navigation data were used by the data acquisition software VmDas internally to convert ADCP velocities into earth coordinates. Accuracy of the ADCP velocities mainly depends on the quality of the position fixes and the ship's heading data. Further errors stem from a misalignment of the transducer with the ship's centerline. Data post-processing included water track calibration of the misalignment angle (0.37° +/- 0.6318°) and scale factor (1.0000 +/- 0.0126) of the Ocean Surveyor signal. The average interval was set to 60 s. Velocity quality flagging is based on following threshold criteria: abs(UC) or abs(VC) > 2.0 m/s, rms(UC_z) or rms(VC_z) > 0.3.

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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    PANGAEA
    Dataset . 2022
    Data sources: B2FIND
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      PANGAEA
      Dataset . 2022
      Data sources: B2FIND
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    Authors: Metz, Johannes; Lampei, Christian; Bäumler, Laura; Bocherens, Hervé; +4 Authors

    Rapid evolution of traits and of plasticity may enable adaptation to climate change, yet solid experimental evidence under natural conditions is scarce. Here, we imposed rainfall manipulations (+30%, control, -30%) for ten years on entire natural plant communities in two Eastern Mediterranean sites. Additional sites along a natural rainfall gradient and selection analyses in a greenhouse assessed whether potential responses were adaptive. In both sites, our annual target species Biscutella didyma consistently evolved earlier phenology and higher reproductive allocation under drought. Multiple arguments suggest that this response was adaptive: it aligned with theory, corresponding trait shifts along the natural rainfall gradient, and selection analyses under differential watering in the greenhouse. However, another seven candidate traits did not evolve, and there was little support for evolution of plasticity. Our results provide compelling evidence for rapid adaptive evolution under climate change. Yet, several non-evolving traits may indicate potential constraints to full adaptation. The data table contains trait values for ten plant functional traits of 320 genotypes of Biscutella didyma, raised in the greenhouse under five water levels. Genotypes originated from four sites along a natural rainfall gradient: In the two intermediate sites (SA semi-arid, M Mediterranean) ten years Climate Change manipulations (dry -30%, control, wet +30% rainfall) had been imposed prior to seed collection; two additional control sites (A arid, MM mesic-Mediterranean) extended the span of the natural rainfall gradient.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ZENODO
    Dataset . 2021
    License: CC 0
    Data sources: ZENODO
    DRYAD
    Dataset . 2021
    License: CC 0
    Data sources: Datacite
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      ZENODO
      Dataset . 2021
      License: CC 0
      Data sources: ZENODO
      DRYAD
      Dataset . 2021
      License: CC 0
      Data sources: Datacite